སྒྱུ་རྩལ
མཛེས་སྡུག་དང་བདེ་ཐང
བཟོ་རིག
རིག་གནས་དང་ལོ་རྒྱུས
དགའ་སྟོན
ཁོར་ཡུག
ཟས་དང་བཏུང་རྫས
ཕྱིར་འཕྲུལ་རིག
ཚན་རིག
རྩེད་འགྲན
རིག་རྩལ
གྱོན་རུང

ཤིང་བཟོ

བིལུ་པིརིན་ཊི ༤༤༧ ཡོད • ཡན་ལག་དབྱེ་རིམ ༡༡

བིལུ་པིརིན་ཊི (༤༤༧)

The Folding Chair: Pins in Slots Until It Is Only a Frame

The Folding Chair: Pins in Slots Until It Is Only a Frame

Woody གྱིསNO

ཤིང་བཟོ

༢༦
༠
༠
༠
༠
༠
Chain, Bar and Sprocket: Five Parts That Must Agree

Chain, Bar and Sprocket: Five Parts That Must Agree

Forge གྱིསNO

ཤིང་བཟོ

༤༣
༠
༠
༠
༠
༠
Setting a Depth You Can Trust

Setting a Depth You Can Trust

Woody གྱིསNO

ཤིང་བཟོ

༣༩
༠
༠
༠
༠
༠
Cutting a Curve Without a Frame

Cutting a Curve Without a Frame

Woody གྱིསNO

ཤིང་བཟོ

༣༥
༠
༠
༠
༠
༠
The Worm Drive: Torque Instead of Speed

The Worm Drive: Torque Instead of Speed

Woody གྱིསNO

ཤིང་བཟོ

༣༦
༠
༠
༠
༠
༠
The Saw That Moves Over the Work: One Pivot, Every Angle

The Saw That Moves Over the Work: One Pivot, Every Angle

Martin གྱིསNO

འཕྲུལ་རིག

༣༧
༠
༠
༠
༠
༠
Tracking a Belt That Wants to Wander

Tracking a Belt That Wants to Wander

Woody གྱིསNO

ཤིང་བཟོ

༣༨
༠
༠
༠
༠
༠
Shoe, Depth and Guard: The Saw You Carry to the Timber

Shoe, Depth and Guard: The Saw You Carry to the Timber

Woody གྱིསNO

ཤིང་བཟོ

༣༨
༠
༠
༠
༠
༠
Setting Up: The Last Half Millimetre Decides Whether Anyone Plays It

Setting Up: The Last Half Millimetre Decides Whether Anyone Plays It

Woody གྱིསNO

ཤིང་བཟོ

༤༣
༠
༠
༠
༠
༠
Temperament: Twelve Fifths Do Not Fit in Seven Octaves

Temperament: Twelve Fifths Do Not Fit in Seven Octaves

Woody གྱིསNO

ཤིང་བཟོ

༣༤
༠
༠
༠
༠
༠
Reeds That Speak: Beating, Double and Free

Reeds That Speak: Beating, Double and Free

Woody གྱིསNO

ཤིང་བཟོ

༤༧
༠
༠
༠
༠
༠
Heads and Tension: Why a Drum Has a Pitch You Can Argue About

Heads and Tension: Why a Drum Has a Pitch You Can Argue About

Woody གྱིསNO

ཤིང་བཟོ

༣༧
༠
༠
༠
༠
༠
Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller

Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller

Woody གྱིསNO

ཤིང་བཟོ

༥༠
༠
༠
༠
༠
༠
The Soundboard: A String Alone Is Almost Silent

The Soundboard: A String Alone Is Almost Silent

Woody གྱིསNO

ཤིང་བཟོ

༤༥
༠
༠
༠
༠
༠
Placing the Frets: The Rule of 18 Is Wrong, and by How Much

Placing the Frets: The Rule of 18 Is Wrong, and by How Much

Woody གྱིསNO

ཤིང་བཟོ

༤༦
༠
༠
༠
༠
༠
What Sets the Pitch: Length, Tension, Mass, and Nothing Else

What Sets the Pitch: Length, Tension, Mass, and Nothing Else

Woody གྱིསNO

ཤིང་བཟོ

༣༡
༠
༠
༠
༠
༠
Fit: A Joint That Needs a Mallet Is Too Tight

Fit: A Joint That Needs a Mallet Is Too Tight

Woody གྱིསNO

ཤིང་བཟོ

༤༦
༠
༠
༠
༠
༠
Let It Float: Panels, Tabletops and the Breadboard End

Let It Float: Panels, Tabletops and the Breadboard End

Woody གྱིསNO

ཤིང་བཟོ

༥༧
༠
༠
༠
༠
༠
Dovetails: Why They Point One Way, and What That Buys You

Dovetails: Why They Point One Way, and What That Buys You

Woody གྱིསNO

ཤིང་བཟོ

༣༥
༠
༠
༠
༠
༠
The Mortise and Tenon: What Each Part of It Is Actually For

The Mortise and Tenon: What Each Part of It Is Actually For

Woody གྱིསNO

ཤིང་བཟོ

༤༩
༠
༠
༠
༠
༠
Why a Butt Joint Fails: End Grain Does Not Glue

Why a Butt Joint Fails: End Grain Does Not Glue

Woody གྱིསNO

ཤིང་བཟོ

༤༤
༠
༠
༠
༠
༠
Flatsawn, Quartersawn, Riftsawn: How It Was Cut Decides How Much It Moves

Flatsawn, Quartersawn, Riftsawn: How It Was Cut Decides How Much It Moves

Woody གྱིསNO

ཤིང་བཟོ

༤༤
༠
༠
༠
༠
༠
Equilibrium Moisture Content: The Wood Is Always Chasing the Room

Equilibrium Moisture Content: The Wood Is Always Chasing the Room

Woody གྱིསNO

ཤིང་བཟོ

༣༨
༠
༠
༠
༠
༠
Wood Moves Across the Grain and Barely Along It — and It Never Stops

Wood Moves Across the Grain and Barely Along It — and It Never Stops

Woody གྱིསNO

ཤིང་བཟོ

༤༥
༠
༠
༠
༠
༠
447 ནང་ལས་ 24 སྟོན་དོ།