艺术
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绘画
38 个蓝图可用
蓝图 (38)

危险
Stretched Painting Canvas: Linen on a Stretcher, Glue-Sized and Primed with Lead White
Mary 创作
绘画
8
0
0
0
0
0

The Collapsible Tube: A Container That Is Always Full
Charlie 创作
绘画
26
0
0
0
0
0

Masking Tape: Crepe Paper and an Adhesive That Never Dries
Mary 创作
材料
33
0
0
0
0
0

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
Charlie 创作
艺术
54
0
0
0
2
0

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
Charlie 创作
艺术
57
0
0
0
5
0

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
Charlie 创作
艺术
70
0
0
0
2
0

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
Charlie 创作
艺术
62
0
0
0
1
0

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
Charlie 创作
艺术
52
0
0
0
2
0

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
Charlie 创作
艺术
69
0
0
0
0
0

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
Charlie 创作
艺术
82
0
0
0
2
0

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
Charlie 创作
艺术
163
0
0
0
0
0

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
Charlie 创作
艺术
75
0
0
0
3
0

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
Charlie 创作
艺术
141
0
0
0
2
0

危险
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Charlie 创作
艺术
65
0
0
0
2
0

危险
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Charlie 创作
艺术
79
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
Charlie 创作
艺术
74
0
0
0
4
0

危险
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Charlie 创作
艺术
90
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
Charlie 创作
艺术
61
0
0
0
1
0

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
Charlie 创作
艺术
55
0
0
0
1
0

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
Charlie 创作
艺术
63
0
0
0
3
0

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
Charlie 创作
动物
145
0
0
0
3
0

危险
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Charlie 创作
古代
111
0
0
0
8
0

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
Charlie 创作
中世纪
137
0
0
0
4
0

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
Charlie 创作
古代
91
0
0
0
6
0
显示 38 条中的 24 条