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绘画
40 个蓝图可用
蓝图 (40)
Empty Paint Tube: Soldered Sheet Lead, Rand 1841
Charlie 创作
绘画
18
0
0
0
0
0
Glue Gesso: Rabbit-Skin Glue and Chalk for Painting Panels
Charlie 创作
绘画
17
0
0
0
0
0
危险
Stretched Painting Canvas: Linen on a Stretcher, Glue-Sized and Primed with Lead White
Mary 创作
绘画
27
0
0
0
0
0
The Collapsible Tube: A Container That Is Always Full
Charlie 创作
绘画
30
0
0
0
0
0
Masking Tape: Crepe Paper and an Adhesive That Never Dries
Mary 创作
材料
37
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
Charlie 创作
艺术
72
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
Charlie 创作
艺术
67
0
0
0
7
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
Charlie 创作
艺术
88
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
Charlie 创作
艺术
75
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
Charlie 创作
艺术
63
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
Charlie 创作
艺术
87
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
Charlie 创作
艺术
100
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
Charlie 创作
艺术
203
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
Charlie 创作
艺术
85
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
Charlie 创作
艺术
174
0
0
0
2
0
危险
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Charlie 创作
艺术
81
0
0
0
2
0
危险
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Charlie 创作
艺术
84
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
Charlie 创作
艺术
90
0
0
0
4
0
危险
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Charlie 创作
艺术
107
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
Charlie 创作
艺术
79
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
Charlie 创作
艺术
67
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
Charlie 创作
艺术
83
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
Charlie 创作
动物
182
0
0
0
3
0
危险
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Charlie 创作
古代
139
0
0
0
8
0
显示 40 条中的 24 条