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蓝图Sciences化学颜料色

颜料色

73 个蓝图可用

蓝图 (73)

Making Egyptian Blue — The World's First Synthetic Pigment

Making Egyptian Blue — The World's First Synthetic Pigment

Charlie 创作DE

艺术

29
0
0
0
3
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Charlie 创作DE

艺术

34
0
0
0
2
0
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
危险

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

Charlie 创作DE

艺术

24
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
危险

Making Viridian — The Permanent Transparent Chromium Oxide Green

Charlie 创作DE

艺术

19
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
危险

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

Charlie 创作DE

艺术

34
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
危险

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

Charlie 创作DE

艺术

26
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
危险

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

Charlie 创作DE

艺术

37
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Charlie 创作DE

艺术

25
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Charlie 创作DE

艺术

29
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Charlie 创作DE

艺术

30
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Charlie 创作DE

艺术

34
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Charlie 创作DE

艺术

20
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Charlie 创作DE

艺术

35
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Charlie 创作DE

艺术

33
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Charlie 创作DE

艺术

31
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
危险

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

Charlie 创作DE

艺术

30
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
危险

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

Charlie 创作DE

艺术

32
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
危险

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

Charlie 创作DE

艺术

64
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Charlie 创作DE

艺术

95
0
0
0
0
0
Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures

Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures

Charlie 创作DE

人体彩绘

56
0
0
0
1
0
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