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化学

534 个蓝图可用 • 22 个子分类

蓝图 (534)

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Charlie 创作DE

艺术

82
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Charlie 创作DE

艺术

75
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
危险

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

Charlie 创作DE

艺术

55
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
危险

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

Charlie 创作DE

艺术

57
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
危险

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

Charlie 创作DE

艺术

101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Charlie 创作DE

艺术

163
0
0
0
0
0
Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures

Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures

Charlie 创作DE

人体彩绘

133
0
0
0
1
0
Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History

Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History

Charlie 创作DE

人体彩绘

137
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie 创作DE

艺术

76
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie 创作DE

艺术

142
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie 创作DE

蒸馏

71
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
危险

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie 创作DE

艺术

65
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
危险

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie 创作DE

艺术

79
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie 创作DE

艺术

74
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
危险

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie 创作DE

艺术

90
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie 创作DE

艺术

61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie 创作DE

艺术

55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie 创作DE

艺术

63
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie 创作DE

动物

145
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
危险

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie 创作DE

古代

111
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie 创作DE

中世纪

137
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie 创作DE

古代

91
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie 创作DE

古代

93
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie 创作DE

现代

97
0
0
0
7
0
显示 534 条中的 24 条