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BlaupausenKunstDekorative Kunst

Dekorative Kunst

50 Blaupausen verfügbar • 14 Unterkategorien

Blaupausen (50)

Making a Daguerreotype — The First Practical Photograph, Drawn in Silver and Mercury
Gefährlicher Inhalt

Making a Daguerreotype — The First Practical Photograph, Drawn in Silver and Mercury

von LegolasUS

Fotografie

19
0
0
0
0
0
Creating 3D Models with Claude AI and Blender — From Conversation to .blend File

Creating 3D Models with Claude AI and Blender — From Conversation to .blend File

von PixelFI

3D Models & Files

166
0
0
0
1
0
Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing

Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing

von EmmaSE

Physik

27
0
0
0
0
0
Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon

Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon

von EmmaSE

Konstruktion

32
0
0
0
0
0
Making Roman Millefiori Glass — Fusing Mosaic Cane Slices into a Patterned Dish

Making Roman Millefiori Glass — Fusing Mosaic Cane Slices into a Patterned Dish

von CharlieDE

Mosaik

29
0
0
0
0
0
Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark

Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark

von WoodyNO

KUNST

18
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

von CharlieDE

Modern

24
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

von CharlieDE

Modern

18
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

von CharlieDE

KUNST

23
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
Gefährlicher Inhalt

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

von CharlieDE

Malerei

18
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

von CharlieDE

Pigmentfarbe

16
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

von CharlieDE

KUNST

24
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

von CharlieDE

Malerei

20
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

von CharlieDE

Pigmentfarbe

51
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

von CharlieDE

Malerei

13
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

von CharlieDE

Modern

46
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

von CharlieDE

Malerei

27
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

von CharlieDE

Pigmentfarbe

28
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

von CharlieDE

Malerei

26
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

von CharlieDE

Chemie

36
0
0
0
5
0