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Pigment Color
76 blueprints available
Blueprints (76)

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
by Charlie
ART
55
0
0
0
2
0

Hazardous
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
by Charlie
ART
50
0
0
0
5
0

Hazardous
Making Viridian — The Permanent Transparent Chromium Oxide Green
by Charlie
ART
56
0
0
0
3
0

Hazardous
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
by Charlie
ART
66
0
0
0
3
0

Hazardous
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
by Charlie
ART
59
0
0
0
4
0

Hazardous
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
by Charlie
ART
68
0
0
0
6
0

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
by Charlie
ART
57
0
0
0
5
0

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
by Charlie
ART
73
0
0
0
2
0

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
by Charlie
ART
62
0
0
0
1
0

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
by Charlie
ART
96
0
0
0
2
0

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
by Charlie
ART
52
0
0
0
2
0

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
by Charlie
ART
69
0
0
0
0
0

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
by Charlie
ART
82
0
0
0
2
0

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
by Charlie
ART
76
0
0
0
2
0

Hazardous
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
by Charlie
ART
56
0
0
0
4
0

Hazardous
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
by Charlie
ART
57
0
0
0
0
0

Hazardous
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
by Charlie
ART
101
0
0
0
1
0

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
by Charlie
ART
166
0
0
0
0
0

Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures
by Charlie
Body Art
133
0
0
0
1
0

Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History
by Charlie
Body Art
138
0
0
0
0
0

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
by Charlie
ART
76
0
0
0
3
0

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
by Charlie
ART
144
0
0
0
2
0

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
by Charlie
Distilling
73
0
0
0
2
0

Hazardous
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
by Charlie
ART
65
0
0
0
2
0
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