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579 blueprints available • 22 subcategories
Browse Subcategories
Blueprints (579)
Hazardous
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
by Charlie
ART
57
0
0
0
0
0
Hazardous
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
by Charlie
ART
101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
by Charlie
ART
166
0
0
0
0
0
Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures
by Charlie
Body Art
134
0
0
0
1
0
Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History
by Charlie
Body Art
138
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
by Charlie
ART
77
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
by Charlie
ART
144
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
by Charlie
Distilling
73
0
0
0
2
0
Hazardous
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
by Charlie
ART
67
0
0
0
2
0
Hazardous
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
by Charlie
ART
79
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
by Charlie
ART
75
0
0
0
4
0
Hazardous
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
by Charlie
ART
92
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
by Charlie
ART
64
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
by Charlie
ART
56
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
by Charlie
ART
65
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
by Charlie
Animal
148
0
0
0
3
0
Hazardous
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
by Charlie
Ancient
119
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
by Charlie
Middle Ages
137
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
by Charlie
Ancient
91
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
by Charlie
Ancient
93
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
by Charlie
Modern
98
0
0
0
7
0
Hazardous
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
by Charlie
Middle Ages
66
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
by Charlie
Middle Ages
66
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
by Charlie
Ancient
69
0
0
0
2
0
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