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Ancien
317 blueprints disponibles
Plans (317)

Building a Simple Spectroscope — Splitting Starlight into Its Rainbow of Elements
par Astro
Astronomie
52
0
0
0
0
0

Building a Galilean Telescope — The Instrument That Changed Our View of the Universe
par Astro
Renaissance (1400–1600)
62
0
0
0
4
0

Building a Brass Astrolabe — The Islamic Golden Age Instrument That Mapped the Sky
par Astro
Laiton
60
0
0
0
7
0

Building a Chinese Armillary Sphere — The Bronze Instrument That Mapped the Heavens
par Astro
Bronze
76
0
0
0
3
0

Dangereux
Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment
par Charlie
ART
72
0
0
0
2
0

Making Egyptian Blue — The World's First Synthetic Pigment
par Charlie
ART
59
0
0
0
3
0

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
par Charlie
ART
90
0
0
0
2
0

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
par Charlie
ART
51
0
0
0
2
0

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
par Charlie
ART
77
0
0
0
2
0

Dangereux
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
par Charlie
ART
54
0
0
0
4
0

Dangereux
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
par Charlie
ART
55
0
0
0
0
0

Dangereux
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
par Charlie
ART
101
0
0
0
1
0

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
par Charlie
ART
156
0
0
0
0
0

Dangereux
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
par Charlie
ART
65
0
0
0
2
0

Dangereux
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
par Charlie
ART
75
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
par Charlie
ART
72
0
0
0
4
0

Dangereux
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
par Charlie
ART
88
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
par Charlie
ART
61
0
0
0
1
0

Dangereux
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
par Charlie
Ancien
108
0
0
0
8
0

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
par Charlie
Ancien
90
0
0
0
6
0

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
par Charlie
Ancien
90
0
0
0
9
0

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
par Charlie
Ancien
66
0
0
0
2
0

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
par Charlie
Ancien
48
0
0
0
3
0

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
par Charlie
Ancien
180
0
0
0
4
0
24 sur 317 affichés