SENI
KECANTIKAN & KESEHATAN
KERAJINAN
BUDAYA & SEJARAH
HIBURAN
LINGKUNGAN
MAKANAN & MINUMAN
REKAYASA BALIK
ILMU PENGETAHUAN
OLAHRAGA
TEKNOLOGI
PERANGKAT PAKAI
Warna Pigmen
73 cetak biru tersedia
Cetak Biru (73)
Membuat Tinta Tato Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia
oleh Charlie
Seni Tubuh
68
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
oleh Charlie
SENI
23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
oleh Charlie
SENI
60
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
oleh Charlie
Penyulingan
27
0
0
0
2
0
Berbahaya
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
oleh Charlie
SENI
36
0
0
0
2
0
Berbahaya
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
oleh Charlie
SENI
40
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
oleh Charlie
SENI
30
0
0
0
4
0
Berbahaya
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
oleh Charlie
SENI
47
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
oleh Charlie
SENI
31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
oleh Charlie
SENI
21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
oleh Charlie
SENI
29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
oleh Charlie
Hewan
52
0
0
0
3
0
Berbahaya
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
oleh Charlie
Kuno
47
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
oleh Charlie
Abad Pertengahan
69
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
oleh Charlie
Kuno
43
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
oleh Charlie
Kuno
43
0
0
0
9
0
Berbahaya
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
oleh Charlie
Modern
45
0
0
0
7
0
Berbahaya
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
oleh Charlie
Abad Pertengahan
24
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
oleh Charlie
Abad Pertengahan
27
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
oleh Charlie
Kuno
23
0
0
0
2
0