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Cetak BiruSciences
ILMU PENGETAHUAN
278 cetak biru tersedia • 8 subkategori
Cetak Biru (278)
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
oleh Charlie
Warna Pigmen
18
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
oleh Charlie
Kuno
18
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
oleh Charlie
Abad Pertengahan
20
0
0
0
2
0
Konten berbahaya
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
oleh Charlie
SENI
12
0
0
0
4
0
Konten berbahaya
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
oleh Charlie
Kimia
22
0
0
0
0
0
Konten berbahaya
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
oleh Charlie
SENI
37
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
oleh Charlie
Warna Pigmen
24
0
0
0
0
0
Membuat Cat Tato Besi Oker Merah
oleh Charlie
Warna Pigmen
16
0
0
0
1
0
Membuat Tinta Tato Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia
oleh Charlie
Prasejarah
25
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
oleh Charlie
Lukisan
8
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
oleh Charlie
Modern
28
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
oleh Charlie
SENI
19
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
oleh Charlie
Warna Pigmen
20
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
oleh Charlie
Kimia
22
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
oleh Charlie
SENI
20
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
oleh Charlie
Kuno
26
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
oleh Charlie
SENI
19
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
oleh Charlie
Lukisan
11
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
oleh Charlie
Warna Pigmen
13
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
oleh Charlie
Kimia
23
0
0
0
3
0