कला
सौंदर्य और कल्याण
हस्तशिल्प
संस्कृति और इतिहास
मनोरंजन
पर्यावरण
खाद्य और पेय
हरित भविष्य
रिवर्स इंजीनियरिंग
विज्ञान
खेल
प्रौद्योगिकी
पहनने योग्य

संस्कृति और इतिहास

819 ब्लूप्रिंट उपलब्ध • 3 उपश्रेणियाँ

उपश्रेणियाँ ब्राउज़ करें

ब्लूप्रिंट (819)

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
खतरनाक सामग्री

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

Charlie द्वाराDE

प्राचीन

12
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
खतरनाक सामग्री

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

Charlie द्वाराDE

कला

23
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
खतरनाक सामग्री

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

Charlie द्वाराDE

कला

40
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Charlie द्वाराDE

रंगद्रव्य रंग

26
0
0
0
0
0
लाल गेरुआ टैटू पेंट बनाओ

लाल गेरुआ टैटू पेंट बनाओ

Charlie द्वाराDE

शरीर कला

18
0
0
0
1
0
लकड़ी की कालिख से काली टैटू स्याही बनाना — मानव इतिहास में सबसे पुरानी शरीर रंजक

लकड़ी की कालिख से काली टैटू स्याही बनाना — मानव इतिहास में सबसे पुरानी शरीर रंजक

Charlie द्वाराDE

टैटू

26
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie द्वाराDE

मध्य युग

9
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie द्वाराDE

पेंटिंग

30
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie द्वाराDE

मध्य युग

19
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie द्वाराDE

कला

21
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie द्वाराDE

पेंटिंग

22
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie द्वाराDE

प्राचीन

21
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie द्वाराDE

कला

27
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie द्वाराDE

रंगद्रव्य रंग

20
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie द्वाराDE

रंगद्रव्य रंग

11
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie द्वाराDE

रंगद्रव्य रंग

14
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie द्वाराDE

रंगद्रव्य रंग

26
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
खतरनाक सामग्री

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie द्वाराDE

कला

19
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie द्वाराDE

मध्य युग

12
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie द्वाराDE

कला

26
0
0
0
6
0