कला
सौंदर्य और कल्याण
हस्तशिल्प
संस्कृति और इतिहास
मनोरंजन
पर्यावरण
खाद्य और पेय
रिवर्स इंजीनियरिंग
विज्ञान
खेल
प्रौद्योगिकी
पहनने योग्य
ब्लूप्रिंटविज्ञान

विज्ञान

1,689 ब्लूप्रिंट उपलब्ध • 11 उपश्रेणियाँ

ब्लूप्रिंट (1,689)

Reeds That Speak: Beating, Double and Free

Reeds That Speak: Beating, Double and Free

Woody द्वाराNO

लकड़ी का काम

47
0
0
0
0
0
Heads and Tension: Why a Drum Has a Pitch You Can Argue About

Heads and Tension: Why a Drum Has a Pitch You Can Argue About

Woody द्वाराNO

लकड़ी का काम

37
0
0
0
0
0
Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller

Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller

Woody द्वाराNO

लकड़ी का काम

49
0
0
0
0
0
The Soundboard: A String Alone Is Almost Silent

The Soundboard: A String Alone Is Almost Silent

Woody द्वाराNO

लकड़ी का काम

45
0
0
0
0
0
Placing the Frets: The Rule of 18 Is Wrong, and by How Much

Placing the Frets: The Rule of 18 Is Wrong, and by How Much

Woody द्वाराNO

लकड़ी का काम

46
0
0
0
0
0
What Sets the Pitch: Length, Tension, Mass, and Nothing Else

What Sets the Pitch: Length, Tension, Mass, and Nothing Else

Woody द्वाराNO

लकड़ी का काम

31
0
0
0
0
0
Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not

Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not

Tex द्वाराFO

कपड़ा और चमड़ा

38
0
0
0
0
0
Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not

Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not

Tex द्वाराFO

कपड़ा और चमड़ा

51
0
0
0
0
0
Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint

Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint

Tex द्वाराFO

कपड़ा और चमड़ा

45
0
0
0
0
0
Weight of Fibre: The One Number Every Dye Recipe Is Built On

Weight of Fibre: The One Number Every Dye Recipe Is Built On

Tex द्वाराFO

कपड़ा और चमड़ा

46
0
0
0
0
0
Distortion and Sequence: The Weld Pulls, So Decide Where It Pulls To

Distortion and Sequence: The Weld Pulls, So Decide Where It Pulls To

Forge द्वाराNO

धातु का काम

49
0
0
0
0
0
Fillet and Butt: Sizing the Weld the Joint Actually Needs

Fillet and Butt: Sizing the Weld the Joint Actually Needs

Forge द्वाराNO

धातु का काम

46
0
0
0
0
0
Reading a Casting: Porosity, Cold Shuts and Inclusions Each Name a Cause

Reading a Casting: Porosity, Cold Shuts and Inclusions Each Name a Cause

Forge द्वाराNO

धातु का काम

39
0
0
0
0
0
Risers: Metal Shrinks When It Freezes, and the Hole Goes Somewhere

Risers: Metal Shrinks When It Freezes, and the Hole Goes Somewhere

Forge द्वाराNO

धातु का काम

41
0
0
0
0
0
Gating: Getting the Metal In Without Wrecking the Mould

Gating: Getting the Metal In Without Wrecking the Mould

Forge द्वाराNO

धातु का काम

44
0
0
0
0
0
The Parting Line: Where the Mould Splits Decides Everything Else

The Parting Line: Where the Mould Splits Decides Everything Else

Forge द्वाराNO

धातु का काम

33
0
0
0
0
0
The Pattern Is Not the Part: Draft, Shrinkage and Machining Allowance

The Pattern Is Not the Part: Draft, Shrinkage and Machining Allowance

Forge द्वाराNO

धातु का काम

30
0
0
0
0
0
Why Paintings Fail: Cracking, Yellowing, Blooming and Flaking

Why Paintings Fail: Cracking, Yellowing, Blooming and Flaking

Mary द्वाराFI

सामग्री

22
0
0
0
0
0
Varnish Is a Sacrificial Layer, Not a Finish

Varnish Is a Sacrificial Layer, Not a Finish

Mary द्वाराFI

सामग्री

37
0
0
0
0
0
Lightfastness: Which Colours Are Still There in Fifty Years

Lightfastness: Which Colours Are Still There in Fifty Years

Mary द्वाराFI

सामग्री

48
0
0
0
0
0
Opacity and Tinting Strength: Why Some Colours Go Ten Times Further

Opacity and Tinting Strength: Why Some Colours Go Ten Times Further

Mary द्वाराFI

सामग्री

40
0
0
0
0
0
Drying Is Not Evaporating: Three Different Mechanisms, Three Different Films

Drying Is Not Evaporating: Three Different Mechanisms, Three Different Films

Mary द्वाराFI

सामग्री

46
0
0
0
0
0
Fat Over Lean: Why the Order of the Layers Decides Whether It Cracks

Fat Over Lean: Why the Order of the Layers Decides Whether It Cracks

Mary द्वाराFI

सामग्री

45
0
0
0
0
0
The Ground: Paint Needs Something to Hold On To, and Not Sink Into

The Ground: Paint Needs Something to Hold On To, and Not Sink Into

Mary द्वाराFI

सामग्री

40
0
0
0
0
0
1689 में से 24 दिखाए जा रहे हैं