ARTE
BELLEZZA E BENESSERE
MESTIERE
CULTURA E STORIA
DIVERTIMENTO
AMBIENTE
CIBO E BEVANDE
INGEGNERIA INVERSA
SCIENZE
SPORT
TECNOLOGIA
INDOSSABILI
Phase Contrast: Seeing What Has No Colour
Penny

Creato da

Penny

23. settembre 2026DK
28
0
0
0
0

Phase Contrast: Seeing What Has No Colour

A living cell in water absorbs almost no light. It is a phase object: light passing through it is SLOWED slightly relative to light passing beside it, and arrives delayed by perhaps a quarter of a wavelength. The eye cannot see phase, only brightness, so the cell is invisible — and every technique so far has dealt with that by killing and staining it, or by lighting it obliquely. Frits Zernike worked out in 1932 how to convert that phase delay into a brightness difference. Separate the light that passed straight through from the light the specimen scattered, shift one of them by a further quarter wavelength, and recombine them: they now interfere constructively or destructively, and an invisible delay becomes visible shading. Zeiss were not interested. It took the Second World War and a Nobel Prize in 1953 before the method became standard, and it is still the reason anyone can watch a living cell divide.
Avanzato
1 day

Istruzioni

1

See the problem first, so the solution means something

Put a drop of yeast in water under a coverslip and view it in properly set-up bright-field with the condenser open. The cells are nearly invisible. Now close the condenser diaphragm right down. They appear — but as high-contrast outlines with dark haloes, and the resolution has collapsed. That is the standard bad compromise everyone makes, and phase contrast exists to avoid it. Spend five minutes on this comparison; the rest of the blueprint only makes sense against it.

Materiali per questo passaggio:

Lievito per il paneLievito per il pane10 g
Vetrini da microscopio con coprioggettoVetrini da microscopio con coprioggetto10 pezzi

Strumenti necessari:

MicroscopioMicroscopio
2

Make the condenser annulus

Cut a thin transparent ring in black card — an annular slit — and mount it in the condenser's filter holder, so the specimen is lit by a hollow cone of light. The annulus is what makes the separation possible. Undeviated light stays within the cone and lands as a ring in the objective's back focal plane; light scattered by the specimen spreads everywhere else. Two populations of light, now in different places — and once they are separated you can treat them differently.

Materiali per questo passaggio:

Cartoncino neroCartoncino nero6 pezzi

Strumenti necessari:

BisturiBisturi
RighelloRighello
3

Find the back focal plane and match the ring to it

Remove the eyepiece and look down the tube, or use a phone camera focused into it. You will see the bright annulus projected in the objective's back focal plane. Adjust the condenser height and the annulus size until that ring is sharp, round and centred. A commercial system has a dedicated centring telescope for exactly this view. Everything that follows depends on the phase plate sitting precisely on top of this ring, so measure its diameter here and write it down.

Strumenti necessari:

MicroscopioMicroscopio
RighelloRighello
4

The phase plate — and an honest account of the hard part

The phase plate is a thin transparent disc carrying a ring, matched to the annulus, that is thinner or thicker than its surroundings by a quarter wavelength — about 140 nanometres of glass — and usually also partly absorbing. **This is the one component you cannot make well at home.** A quarter-wave step is a hundredth of the thickness of kitchen foil, and it is made by vacuum deposition. Be clear-eyed about it: with a home-made annulus alone you get a striking oblique-and-hollow-cone effect that is NOT true phase contrast. To go further you buy a phase objective, which is affordable second-hand, and the annulus you just made is what it needs.
5

Match the annulus to a bought phase objective

A phase objective is marked Ph1, Ph2 or Ph3, and each needs its own annulus size. Make a set of card annuli to those diameters, fit each in turn, and look down the tube until the bright ring sits exactly on the darker phase ring inside the objective. Concentric and the same width: that is the whole alignment. A ring that is off-centre or the wrong size leaks undeviated light into the wrong region and you get a weak, grey, haloed image that people usually blame on the objective. A card annulus costs nothing and is as good as the metal one for this.

Materiali per questo passaggio:

Cartoncino neroCartoncino nero6 pezzi

Strumenti necessari:

BisturiBisturi
MicroscopioMicroscopio
6

Watch something alive

Return to the yeast, or to pond water, or to a scraping of cheek cells in saline. Structures you could not see at all now have grey-scale shading: cell walls, vacuoles, nuclei, moving granules — in a living, unstained, unfixed specimen. Note the bright halo around every object. That is not a defect in your alignment; it is inherent to the method, because the separation of scattered from undeviated light is never perfect at edges. Knowing it is inherent stops you chasing it, and stops you reading it as a real structure.

Materiali per questo passaggio:

Lievito per il paneLievito per il pane10 g
Vetrini da microscopio con coprioggettoVetrini da microscopio con coprioggetto10 pezzi

Strumenti necessari:

MicroscopioMicroscopio
7

How much phase a cell actually shifts

Caricamento del notebook Jupyter…

Materiali

3

Strumenti richiesti

3

CC0 Pubblico dominio

Questo progetto è rilasciato sotto CC0. Sei libero di copiare, modificare, distribuire e utilizzare quest'opera per qualsiasi scopo, senza chiedere permesso.

Supporta il Maker acquistando prodotti tramite il suo progetto dove guadagna una Commissione Maker stabilita dai venditori, oppure crea una nuova iterazione di questo progetto e includilo come collegamento nel tuo progetto per condividere i ricavi.

Commenti

(0)

Accedi per partecipare alla discussione

Caricamento commenti...