예술
뷰티 및 웰니스
공예
문화 및 역사
엔터테인먼트
환경
음식 및 음료
역공학
과학
스포츠
기술
웨어러블
Youblob · CC0
Telephoto Lens
To photograph a distant subject large, you need a long focal length - and a long lens means a long camera. In 1891 Thomas Rudolphus Dallmeyer in London, and Adolf Miethe in Germany, independently put a negative lens behind a positive one. The pair acts like a single lens of much longer focal length, yet it is physically shorter than that focal length. That is what 'telephoto' means, and nearly every long camera lens since uses it.
**No patent number is cited here**: Dallmeyer patented it in Britain, and no US patent for his design was verified, so none is claimed.
**You build one on an optical bench**, measure its focal length from the size of a distant image, and let a ray-trace notebook redesign it.
초급
90 minutes
안내
1
1
Know your lenses
Know your lenses
Focus a distant window onto paper with each convex lens; the lens-to-paper distance is its focal length. Pick one about 100 mm. Take a concave lens about half that (its label gives it; it will not focus alone).
이 단계의 재료:
볼록 렌즈 세트1 세트
오목 렌즈1 개필요한 도구:
강철 자2
2
Set up the bench
Set up the bench
Mount the convex lens in a holder at one end of the bench, pointing out of a window at something far away. Tape tracing paper to a holder as the screen.
이 단계의 재료:
패턴 트레이싱지 롤1 장
마스킹 테이프1 롤필요한 도구:
광학 벤치와 레일
렌즈 홀더 세트3
3
Image with one lens
Image with one lens
Slide the screen until the far scene is sharp. Measure the height of one chosen feature on the screen - a window, a chimney.
필요한 도구:
강철 자4
4
Add the negative lens
Add the negative lens
Put the concave lens 60 mm behind the convex one. The image is now far behind; move the screen back until it is sharp again and measure the same feature. Try 55 and 65 mm spacing too.
필요한 도구:
줄자5
5
Design it on paper
Design it on paper
Jupyter 노트북 불러오는 중…
6
6
History & Context
History & Context
**What the 1891 designs did:** a positive front group and a negative rear group, spaced so the system focal length exceeds its length. **Modern build (derived):** two stock lenses on a bench.
Early telephoto attachments screwed behind ordinary lenses; modern long lenses build the idea in. Its limits: spacing is critical, the negative group adds distortion (pincushion), and the image is dimmer at the same aperture diameter because the focal length grew.
CC0 퍼블릭 도메인
이 블루프린트는 CC0로 공개되었습니다. 어떤 목적으로든 자유롭게 복사, 수정, 배포 및 사용할 수 있습니다.
제품 구매를 통해 메이커를 지원하세요. 판매자가 설정한 메이커 커미션 을 받거나, 이 블루프린트의 새로운 반복을 만들어 연결로 포함시킬 수 있습니다.