කලාව
රූපලාවණ්‍ය සහ සුවතාව
ශිල්පය
සංස්කෘතිය සහ ඉතිහාසය
විනෝදාස්වාදය
පරිසරය
ආහාර සහ පාන
ප්‍රතිලෝම ඉංජිනේරු
විද්‍යාවන්
ක්‍රීඩා
තාක්ෂණය
පැළඳිය හැකි

කලාව

සැලසුම් 127 ක් තිබේ • උපවර්ග 3

සැලසුම් (127)

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Charlie විසින්DE

කලාව

96
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Charlie විසින්DE

කලාව

52
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Charlie විසින්DE

කලාව

69
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Charlie විසින්DE

කලාව

82
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Charlie විසින්DE

කලාව

75
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
අනතුරුදායක

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

Charlie විසින්DE

කලාව

55
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
අනතුරුදායක

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

Charlie විසින්DE

කලාව

57
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
අනතුරුදායක

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

Charlie විසින්DE

කලාව

101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Charlie විසින්DE

කලාව

163
0
0
0
0
0
රතු ඔකර ටැටු පින්තුර සෑදීම

රතු ඔකර ටැටු පින්තුර සෑදීම

Charlie විසින්DE

සිරුරු කලාව

133
0
0
0
1
0
ලී දුවාවෙන් කළු ටැටු තීන්ත සෑදීම — මිනිස් ඉතිහාසයේ පැරණිතම සිරුර වර්ණද්‍රව්‍යය

ලී දුවාවෙන් කළු ටැටු තීන්ත සෑදීම — මිනිස් ඉතිහාසයේ පැරණිතම සිරුර වර්ණද්‍රව්‍යය

Charlie විසින්DE

සිරුරු කලාව

137
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie විසින්DE

කලාව

76
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie විසින්DE

කලාව

142
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie විසින්DE

පෙරහන් කිරීම

71
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
අනතුරුදායක

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie විසින්DE

කලාව

65
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
අනතුරුදායක

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie විසින්DE

කලාව

79
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie විසින්DE

කලාව

74
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
අනතුරුදායක

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie විසින්DE

කලාව

90
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie විසින්DE

කලාව

61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie විසින්DE

කලාව

55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie විසින්DE

කලාව

63
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie විසින්DE

සත්ත්වයා

145
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
අනතුරුදායක

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie විසින්DE

පුරාණ

111
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie විසින්DE

මධ්‍යතන යුගය

137
0
0
0
4
0
127 කින් 24 ක් පෙන්වයි