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Middle Ages

82 blueprints available

Blueprints (82)

Making Paper from Linen Rags — European Hand Papermaking

Making Paper from Linen Rags — European Hand Papermaking

Tex විසින්FO

Middle Ages

18
0
0
0
2
0
Making a Glass Bead on a Mandrel — Lampwork Beadmaking

Making a Glass Bead on a Mandrel — Lampwork Beadmaking

Forge විසින්NO

Glassworking

19
0
0
0
0
0
Making Maya Blue — The Indestructible Pigment of Mesoamerica

Making Maya Blue — The Indestructible Pigment of Mesoamerica

Charlie විසින්DE

Chemistry

18
0
0
0
2
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Charlie විසින්DE

Painting

17
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
Hazardous content

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Charlie විසින්DE

Painting

13
0
0
0
1
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Charlie විසින්DE

Pigment Color

19
0
0
0
0
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Charlie විසින්DE

Middle Ages

20
0
0
0
2
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie විසින්DE

Painting

8
0
0
0
3
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie විසින්DE

ART

19
0
0
0
2
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie විසින්DE

ART

12
0
0
0
4
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Hazardous content

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie විසින්DE

Middle Ages

14
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie විසින්DE

ART

16
0
0
0
8
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Charlie විසින්DE

Chemistry

25
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Charlie විසින්DE

ART

18
0
0
0
6
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Charlie විසින්DE

Chemistry

21
0
0
0
6
0
Dyeing Pale Yellow with Mullein — The Roadside Dye of Medieval Europe

Dyeing Pale Yellow with Mullein — The Roadside Dye of Medieval Europe

Tex විසින්FO

Dyes & Pigments

36
0
0
0
0
0
Dyeing Red with Brazilwood — The Dyewood That Named a Nation

Dyeing Red with Brazilwood — The Dyewood That Named a Nation

Tex විසින්FO

Dyes & Pigments

20
0
0
0
1
0
Dyeing Yellow with Fustic — The Colonial Dyewood That Coloured the New World Trade

Dyeing Yellow with Fustic — The Colonial Dyewood That Coloured the New World Trade

Tex විසින්FO

Middle Ages

22
0
0
0
1
0
Dyeing Yellow with Dyer's Broom — The Greenweed That Made Lincoln Green

Dyeing Yellow with Dyer's Broom — The Greenweed That Made Lincoln Green

Tex විසින්FO

Middle Ages

17
0
0
0
1
0
Needle Felting — Sculpting Wool with Barbed Needles

Needle Felting — Sculpting Wool with Barbed Needles

Tex විසින්FO

Wool

15
0
0
0
0
0