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Pigment Color
73 blueprints available
Blueprints (73)
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
by Charlie
ART
57
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
by Charlie
ART
48
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
by Charlie
ART
54
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
by Charlie
Animal
124
0
0
0
3
0
Hazardous
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
by Charlie
Ancient
101
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
by Charlie
Middle Ages
127
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
by Charlie
Ancient
78
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
by Charlie
Ancient
79
0
0
0
9
0
Hazardous
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
by Charlie
Modern
81
0
0
0
7
0
Hazardous
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
by Charlie
Middle Ages
53
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
by Charlie
Middle Ages
56
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
by Charlie
Ancient
61
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
by Charlie
Ancient
41
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
by Charlie
Prehistoric
69
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
by Charlie
Ancient
48
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
by Charlie
Ancient
68
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
by Charlie
Prehistoric
135
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
by Charlie
Prehistoric
106
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
by Charlie
Middle Ages
78
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters
by Charlie
Ancient
83
0
0
0
7
0
Extracting Natural Dyes from Plants — Color from the Garden
by Bob
Biology
56
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
by Charlie
Painting
145
0
0
2
0
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil
by Charlie
Painting
134
0
0
0
5
0
Making Watercolour Paint from Raw Pigments — Gum Arabic Binder
by Charlie
Painting
182
0
0
2
2
0
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