အနုပညာ

အလှအပနှင့် ကျန်းမာရေး

လက်မှုအနုပညာ

ယဉ်ကျေးမှုနှင့် သမိုင်း

ဖျော်ဖြေရေး

ပတ်ဝန်းကျင်

အစားအစာနှင့် အချိုရည်

စိမ်းလန်းသောအနာဂတ်

ပြောင်းပြန်အင်ဂျင်နီယာပညာ

သိပ္ပံပညာများ

အားကစား

နည်းပညာ

ဝတ်ဆင်နိုင်သောပစ္စည်းများ

ဘလူးပရင့်များ Sciences ဓာတုဗေဒဆေးပါတာအရောင်

ဆေးပါတာအရောင်

ဘလူးပရင့် ၇၂ ခု ရရှိနိုင်သည်

ဘလူးပရင့်များ (၇၂)

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie မှ

အလယ်ခေတ်

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie မှ

ပန်းချီရေးခြင်း

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie မှ

အလယ်ခေတ်

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie မှ

အနုပညာ

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie မှ

ပန်းချီရေးခြင်း

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie မှ

ရှေးဟောင်း

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie မှ

အနုပညာ

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie မှ

ဆေးပါတာအရောင်

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie မှ

ဆေးပါတာအရောင်

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie မှ

ဆေးပါတာအရောင်

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie မှ

ဆေးပါတာအရောင်

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Hazardous content

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie မှ

အနုပညာ

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie မှ

အလယ်ခေတ်

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie မှ

အနုပညာ

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie မှ

ရှေးဟောင်း

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Hazardous content

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie မှ

အနုပညာ

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Hazardous content

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie မှ

ဆေးပါတာအရောင်

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie မှ

ပန်းချီရေးခြင်း

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie မှ

ရှေးဟောင်း

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Charlie မှ

ရှေးဟောင်း

ယခင်၁ ၂ ၃ ၄ ရှေ့ဆက်