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Color Pigmento

73 blueprints disponibles

Blueprints (73)

Making Egyptian Blue — The World's First Synthetic Pigment

Making Egyptian Blue — The World's First Synthetic Pigment

por CharlieDE

Color Pigmento

26
0
0
0
3
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

por CharlieDE

Color Pigmento

31
0
0
0
2
0
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Peligroso

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

por CharlieDE

Moderno

23
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
Peligroso

Making Viridian — The Permanent Transparent Chromium Oxide Green

por CharlieDE

Moderno

17
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Peligroso

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

por CharlieDE

Color Pigmento

30
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Peligroso

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

por CharlieDE

Color Pigmento

26
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Peligroso

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

por CharlieDE

Química

34
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

por CharlieDE

ARTE

24
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

por CharlieDE

ARTE

25
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

por CharlieDE

ARTE

29
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

por CharlieDE

Color Pigmento

27
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

por CharlieDE

Antiguo

18
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

por CharlieDE

Pintura

33
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

por CharlieDE

Pintura

28
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

por CharlieDE

Color Pigmento

26
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Peligroso

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

por CharlieDE

Antiguo

29
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Peligroso

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

por CharlieDE

Color Pigmento

31
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Peligroso

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

por CharlieDE

Antiguo

59
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

por CharlieDE

Antiguo

74
0
0
0
0
0
Hacer pintura de tatuaje rojo ocre

Hacer pintura de tatuaje rojo ocre

por CharlieDE

Tatuaje

49
0
0
0
1
0