IṢẸ́ ỌNÀ
ẸWÀ ÀTI ÌLERA
IṢẸ́ ỌWỌ́
ÀṢÀ ÀTI ÌTÀN
ÌṢERÉ
ÀYÍKÁ
OÚNJẸ ÀTI OHUN MÍMU
REVERSE ENGINEERING
SÁYẸ́ǸSÌ
ERÉ ÌDÁRAYÁ
ÌMỌ̀-Ẹ̀RỌ
ÀWỌN OHUN WÍWỌ̀
Porcelain Labware: Evaporating Dishes, Crucibles, Funnels and Streak Plates
Mary

Ṣẹ́dá nipasẹ̀

Mary

14. Oṣù Kẹwà 2026FI
31
0
0
0
0

Porcelain Labware: Evaporating Dishes, Crucibles, Funnels and Streak Plates

Hard porcelain stands strong heat and most chemicals, so the laboratory's dishes, crucibles and filter funnels are made of it; left unglazed, its white biscuit is the streak plate for testing minerals. Form the pieces, give them a light first firing, dip them in ground-felspar glaze, and fire them hard in saggers, as Andrew Ure (1839) describes for Sèvres. The picture: porcelain evaporating dishes in three sizes, glazed, with pouring lips.
Ilọsíwájú
Weeks with drying and two firings

Ìlànà

1

Form the pieces

Throw shallow round dishes with a lip and small lidded crucibles on the wheel. For a Büchner funnel throw a cylinder with a flat floor, pierce the floor with many small holes and add a stem. Roll a slab and cut it into small tiles for streak plates.

Àwọn ohun èlò fún ìgbésẹ̀ yìí:

Amọ̀ porcelainAmọ̀ porcelain5 kg

Àwọn irinṣẹ́ tí a nílò:

Kẹ̀kẹ́ oníṣẹ́ ìkòkòKẹ̀kẹ́ oníṣẹ́ ìkòkò
Ọ̀pá ìtẹ̀ ìyẹ̀funỌ̀pá ìtẹ̀ ìyẹ̀fun
Ìdìpọ̀ ohun èlò amọ̀Ìdìpọ̀ ohun èlò amọ̀
Ìdíwọ̀nÌdíwọ̀n
2

Dry very slowly

Ure: dry them very slowly; a little hurry spoils them.
3

Light first firing

Fire them gently so they keep their shape but become strong enough to handle and be dipped in water.

Àwọn ohun èlò fún ìgbésẹ̀ yìí:

Igi ÌdánáIgi Ìdáná1 as required

Àwọn irinṣẹ́ tí a nílò:

Ìléru ÌsunÌléru Ìsun
Ìbọ̀wọ́ Tí Ń Fara Da OoruÌbọ̀wọ́ Tí Ń Fara Da Ooru
4

Felspar glaze

Grind felspar very fine, stir it with water and a little vinegar to a thin pap. Dip each dish, crucible and funnel for an instant; the porous body draws the glaze on. Wipe the glaze off the feet. Leave the streak-plate tiles unglazed.

Àwọn ohun èlò fún ìgbésẹ̀ yìí:

Ìdì feldsparÌdì feldspar0.5 kg
OmiOmi2 lítà
Ọtí kíkanỌtí kíkan0.05 lítà

Àwọn irinṣẹ́ tí a nílò:

Ọmọ ọlọỌmọ ọlọ
Ajọ Ojú KékeréAjọ Ojú Kékeré
Ọpọ́n igi ńláỌpọ́n igi ńlá
Ìbòjú ErukuÌbòjú Eruku
5

Set in saggers

Set every piece in its own sagger on a flat, sand-dusted base so it cannot stick or sag out of shape; small pieces may share a base if they do not touch.

Àwọn ohun èlò fún ìgbésẹ̀ yìí:

Iyanrìn KékeréIyanrìn Kékeré1 kg

Àwọn irinṣẹ́ tí a nílò:

Àpótí amọ̀-ináÀpótí amọ̀-iná
6

The hard firing

Raise the fire slowly for about 15 hours to a cherry red, then fire hard until the kiln glows white inside, drawing trial pieces to judge when the glaze is smooth. Cool slowly over days.

Àwọn ohun èlò fún ìgbésẹ̀ yìí:

Igi ÌdánáIgi Ìdáná1 as required

Àwọn irinṣẹ́ tí a nílò:

Ìléru ÌsunÌléru Ìsun
Ìbọ̀wọ́ Tí Ń Fara Da OoruÌbọ̀wọ́ Tí Ń Fara Da Ooru
7

Ure's firing, hour by hour

Ń ṣí ìwé Jupyter…
8

Limits

The firings, glaze and saggers are Ure's account of Sèvres; the forms of the four wares are ours. A full porcelain firing needs a kiln that reaches white heat.

Àwọn ohun-èlò

6

Àwọn irinṣẹ́ tó nílò

11

Blueprint tó jọra

Àwọn blueprint wọ̀nyí pín ìmọ̀ — ọ̀nà, ohun-èlò tàbí ìlànà

CC0 Àgbègbè Gbogbogbò

Blueprint yìí ti jáde lábẹ́ CC0. O lè ṣe àdàkọ, yí padà, pín, àti lò láìsí ìyọ̀ǹda.

Ṣàtìlẹ́yìn Olùṣẹ́dá nípa rírà àwọn ọjà nipasẹ̀ Blueprint wọn Ẹ̀san Olùṣẹ́dá tí àwọn Olùtajà gbé kalẹ̀, tàbí ṣẹ̀dá àtúnṣe tuntun ti Blueprint yìí kí o sì fi sínú Blueprint rẹ gẹ́gẹ́ bí ìsopọ̀ láti pín owó-wíwọlé.

Ìfọ̀rọ̀wérọ̀

(0)

Wọlé láti dara pọ̀ mọ́ ìfọ̀rọ̀wérọ̀

Ń gbé àwọn ọ̀rọ̀ wọlé...