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Variable Contrast Paper: One Emulsion in Five Parts Dyed 30, 15, 6, 2 and 0 mg per Litre (Schwarz, Bell & Howell, US 2,620,272)
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Variable Contrast Paper: One Emulsion in Five Parts Dyed 30, 15, 6, 2 and 0 mg per Litre (Schwarz, Bell & Howell, US 2,620,272)

Variable contrast paper lets one box of paper print hard or soft: the colour of the printing light chooses. Schwarz split one emulsion into parts, dyed each with a halving dose of a green-sensitising dye, and blended them back. Blue light then works on every grain and gives hard prints; green light reaches only the dyed grains and gives soft ones, with smooth steps between. Result: variable contrast paper, hard through a blue or magenta filter, softer through yellow, softest through orange or light red. Source: Schwarz, US 2,620,272 (Bell & Howell, 1952), Example 3. Unknown: the emulsion and the dye, as the patent gives no recipe for either. Not given: dye solvent, coating thickness, drying. Picture drawn by Youblob.
Ilọsíwájú
1 day

Ìlànà

1

Divide the emulsion

Warm a fine-grain bromide emulsion of low iodide content until liquid and divide it into five equal parts. Ours: 1 litre each, working in the dark.

Àwọn ohun èlò fún ìgbésẹ̀ yìí:

Ẹ̀múlṣọ̀n silver bromoiodide oníwóró kíkúnnáẸ̀múlṣọ̀n silver bromoiodide oníwóró kíkúnná5 lítà

Àwọn irinṣẹ́ tí a nílò:

Ago GílásìAgo Gílásì
Ìkòkò ńlá (ti ìsàlẹ̀, fún ìwẹ̀ omi)Ìkòkò ńlá (ti ìsàlẹ̀, fún ìwẹ̀ omi)
Ẹ̀rọ Ìwọ̀n OoruẸ̀rọ Ìwọ̀n Ooru
Àpótí Tí Kò Jẹ́ Kí Ìmọ́lẹ̀ WọléÀpótí Tí Kò Jẹ́ Kí Ìmọ́lẹ̀ Wọlé
2

Dye four parts, each less

Stir the Formula 3 dye into four of the parts: 30 mg per litre, 15 mg, 6 mg and 2 mg. Leave the fifth part undyed. Dye solvent: not given.

Àwọn ohun èlò fún ìgbésẹ̀ yìí:

Àwọ̀ pentadecyl thiacarbocyanineÀwọ̀ pentadecyl thiacarbocyanine53 mg

Àwọn irinṣẹ́ tí a nílò:

Òǹwọ̀n ìdọ́gbaÒǹwọ̀n ìdọ́gba
Ọ̀pá Ìrúwé GílásìỌ̀pá Ìrúwé Gílásì
3

Blend

Mix the five parts together into one emulsion.

Àwọn irinṣẹ́ tí a nílò:

Ago GílásìAgo Gílásì
Ọ̀pá Ìrúwé GílásìỌ̀pá Ìrúwé Gílásì
Ìkòkò ńlá (ti ìsàlẹ̀, fún ìwẹ̀ omi)Ìkòkò ńlá (ti ìsàlẹ̀, fún ìwẹ̀ omi)
4

Coat the paper

Coat the blended emulsion on the paper base as usual, as one layer, and let it set and dry in the dark. Thickness and drying: not given.

Àwọn ohun èlò fún ìgbésẹ̀ yìí:

BébàBébà1 as required

Àwọn irinṣẹ́ tí a nílò:

Àwọn àwo amọ̀ tí kò jinlẹ̀Àwọn àwo amọ̀ tí kò jinlẹ̀
Àpótí Tí Kò Jẹ́ Kí Ìmọ́lẹ̀ WọléÀpótí Tí Kò Jẹ́ Kí Ìmọ́lẹ̀ Wọlé
5

Choose contrast with a filter

Print without a filter or through blue or magenta for hard, line-like contrast; through yellow for half tones; through orange or light red for softer still.

Àwọn ohun-èlò

3

Àwọn irinṣẹ́ tó nílò

7

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