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Variable Contrast Paper: One Emulsion in Five Parts Dyed 30, 15, 6, 2 and 0 mg per Litre (Schwarz, Bell & Howell, US 2,620,272)
Variable contrast paper lets one box of paper print hard or soft: the colour of the printing light chooses. Schwarz split one emulsion into parts, dyed each with a halving dose of a green-sensitising dye, and blended them back. Blue light then works on every grain and gives hard prints; green light reaches only the dyed grains and gives soft ones, with smooth steps between.
Result: variable contrast paper, hard through a blue or magenta filter, softer through yellow, softest through orange or light red.
Source: Schwarz, US 2,620,272 (Bell & Howell, 1952), Example 3. Unknown: the emulsion and the dye, as the patent gives no recipe for either. Not given: dye solvent, coating thickness, drying. Picture drawn by Youblob.
Ilọsíwájú
1 day
Ìlànà
1
1
Divide the emulsion
Divide the emulsion
Warm a fine-grain bromide emulsion of low iodide content until liquid and divide it into five equal parts. Ours: 1 litre each, working in the dark.
Àwọn ohun èlò fún ìgbésẹ̀ yìí:
Ẹ̀múlṣọ̀n silver bromoiodide oníwóró kíkúnná5 lítàÀwọn irinṣẹ́ tí a nílò:
Ago Gílásì
Ìkòkò ńlá (ti ìsàlẹ̀, fún ìwẹ̀ omi)
Ẹ̀rọ Ìwọ̀n Ooru
Àpótí Tí Kò Jẹ́ Kí Ìmọ́lẹ̀ Wọlé2
2
Dye four parts, each less
Dye four parts, each less
Stir the Formula 3 dye into four of the parts: 30 mg per litre, 15 mg, 6 mg and 2 mg. Leave the fifth part undyed. Dye solvent: not given.
Àwọn ohun èlò fún ìgbésẹ̀ yìí:
Àwọ̀ pentadecyl thiacarbocyanine53 mgÀwọn irinṣẹ́ tí a nílò:
Òǹwọ̀n ìdọ́gba
Ọ̀pá Ìrúwé Gílásì3
3
Blend
Blend
Mix the five parts together into one emulsion.
Àwọn irinṣẹ́ tí a nílò:
Ago Gílásì
Ọ̀pá Ìrúwé Gílásì
Ìkòkò ńlá (ti ìsàlẹ̀, fún ìwẹ̀ omi)4
4
Coat the paper
Coat the paper
Coat the blended emulsion on the paper base as usual, as one layer, and let it set and dry in the dark. Thickness and drying: not given.
Àwọn ohun èlò fún ìgbésẹ̀ yìí:
Bébà1 as requiredÀwọn irinṣẹ́ tí a nílò:
Àwọn àwo amọ̀ tí kò jinlẹ̀
Àpótí Tí Kò Jẹ́ Kí Ìmọ́lẹ̀ Wọlé5
5
Choose contrast with a filter
Choose contrast with a filter
Print without a filter or through blue or magenta for hard, line-like contrast; through yellow for half tones; through orange or light red for softer still.
Àwọn ohun-èlò
3- Àyè
- 1 as requiredÀyè
Ìtọ́nisọ́nà yìí ń ṣe
Blueprint tó jọra
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