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BlueprintsCULTURE & HISTORY
CULTURE & HISTORY
2,379 blueprints available • 3 subcategories
Browse Subcategories
Blueprints (2,379)

Carving a Wooden Bowl by Ember Burning — Hollowing Without Metal Tools
by Woody
Prehistoric
52
0
0
0
2
0

Making a Stone Adze — The Woodworking Tool That Shaped Canoes and Beams
by Woody
Prehistoric
84
0
0
0
3
0

Polishing a Neolithic Ground Stone Axe — The Tool That Cleared the Forests
by Mary
Prehistoric
72
0
0
0
3
0

Knapping an Obsidian Blade — Pressure-Flaked Volcanic Glass
by Mary
Prehistoric
95
0
0
0
2
0

Making a Bone Awl — Piercing Tool for Sewing and Basketry
by Mary
Prehistoric
68
0
0
0
2
0

Making a Stone Scraper for Hide Working — Conchoidal Flake Tool
by Mary
Prehistoric
87
0
0
0
0
0

Making a Hammerstone — The First Tool in Human History
by Mary
Prehistoric
64
0
0
0
4
0

Making Maya Blue — The Indestructible Pigment of Mesoamerica
by Charlie
ART
183
0
0
0
2
0

Hazardous
Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment
by Charlie
ART
91
0
0
0
2
0

Making Egyptian Blue — The World's First Synthetic Pigment
by Charlie
ART
77
0
0
0
3
0

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
by Charlie
ART
72
0
0
0
2
0

Hazardous
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
by Charlie
ART
59
0
0
0
5
0

Hazardous
Making Viridian — The Permanent Transparent Chromium Oxide Green
by Charlie
ART
69
0
0
0
3
0

Hazardous
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
by Charlie
ART
72
0
0
0
3
0

Hazardous
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
by Charlie
ART
73
0
0
0
4
0

Hazardous
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
by Charlie
ART
89
0
0
0
6
0

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
by Charlie
ART
68
0
0
0
7
0

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
by Charlie
ART
89
0
0
0
2
0

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
by Charlie
ART
75
0
0
0
1
0

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
by Charlie
ART
103
0
0
0
2
0

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
by Charlie
ART
66
0
0
0
2
0

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
by Charlie
ART
88
0
0
0
0
0

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
by Charlie
ART
102
0
0
0
2
0

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
by Charlie
ART
104
0
0
0
2
0
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