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BlueprintsSCIENCES
SCIENCES
778 blueprints available • 11 subcategories
Browse Subcategories
Blueprints (778)
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
by Charlie
ART
112
0
0
0
0
0
Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures
by Charlie
Body Art
62
0
0
0
1
0
Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History
by Charlie
Body Art
80
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
by Charlie
ART
33
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
by Charlie
ART
78
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
by Charlie
Distilling
35
0
0
0
2
0
Hazardous
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
by Charlie
ART
38
0
0
0
2
0
Hazardous
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
by Charlie
ART
46
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
by Charlie
ART
40
0
0
0
4
0
Hazardous
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
by Charlie
ART
52
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
by Charlie
ART
35
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
by Charlie
ART
26
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
by Charlie
ART
36
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
by Charlie
Animal
71
0
0
0
3
0
Hazardous
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
by Charlie
Ancient
65
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
by Charlie
Middle Ages
89
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
by Charlie
Ancient
50
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
by Charlie
Ancient
57
0
0
0
9
0
Hazardous
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
by Charlie
Modern
54
0
0
0
7
0
Hazardous
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
by Charlie
Middle Ages
31
0
0
0
6
0