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78 blueprint ang available • 14 subkategorya
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Mga Blueprint (78)

Pressed Flowers
ni Karen
Pagbubulaklak
53
0
0
0
0
0

Patchwork Quilt Block
ni Tex
Patchwork
35
0
0
0
0
0

Quilling Paper Filigree
ni Tex
Quilling
51
0
0
0
0
0

Decoupage
ni YourGrandma
Decoupage
41
0
0
0
0
0

Mapanganib
Making a Daguerreotype — The First Practical Photograph, Drawn in Silver and Mercury
ni Legolas
Potograpiya
49
0
0
0
0
0

Paggawa ng mga 3D Model gamit ang Claude AI at Blender — Mula sa Usapan hanggang sa .blend File
ni Pixel
3D Models & Files
521
0
0
0
0
0

Designing a Roman Bathhouse (Thermae) — The Engineering of Public Bathing
ni Emma
Mga Romano
52
0
0
0
0
0

Building a Roman Concrete Dome — The Unreinforced Vault That Crowned the Pantheon
ni Emma
Mga Romano
75
0
0
0
0
0

Making Roman Millefiori Glass — Fusing Mosaic Cane Slices into a Patterned Dish
ni Charlie
Mosaiko
54
0
0
0
0
0

Making Charcoal Drawing Sticks from Willow — The Renaissance Artist's First Mark
ni Woody
KULTURA AT KASAYSAYAN
61
0
0
0
0
0

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
ni Charlie
SINING
54
0
0
0
2
0

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
ni Charlie
SINING
57
0
0
0
5
0

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
ni Charlie
SINING
71
0
0
0
2
0

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
ni Charlie
SINING
62
0
0
0
1
0

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
ni Charlie
SINING
52
0
0
0
2
0

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
ni Charlie
SINING
69
0
0
0
0
0

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ni Charlie
SINING
82
0
0
0
2
0

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ni Charlie
SINING
163
0
0
0
0
0

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ni Charlie
SINING
76
0
0
0
3
0

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ni Charlie
SINING
142
0
0
0
2
0

Mapanganib
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ni Charlie
SINING
65
0
0
0
2
0

Mapanganib
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ni Charlie
SINING
79
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ni Charlie
SINING
75
0
0
0
4
0

Mapanganib
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ni Charlie
SINING
90
0
0
0
5
0
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