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The Saddle Stitch: Cut It Anywhere and It Still Holds
ni Tex
Tela at Katad
39
0
0
0
0
0
Skiving: Where Leather Has to Get Thinner to Work
ni Tex
Tela at Katad
37
0
0
0
0
0
Cutting Leather: One Pass, Straight Down, and a Knife That Frightens You
ni Tex
Tela at Katad
34
0
0
0
0
0
Reading a Hide: The Best Part Is Smaller Than You Think
ni Tex
Tela at Katad
41
0
0
0
0
0
Setting Up: The Last Half Millimetre Decides Whether Anyone Plays It
ni Woody
Paggawa ng Kahoy
44
0
0
0
0
0
Temperament: Twelve Fifths Do Not Fit in Seven Octaves
ni Woody
Paggawa ng Kahoy
34
0
0
0
0
0
Reeds That Speak: Beating, Double and Free
ni Woody
Paggawa ng Kahoy
47
0
0
0
0
0
Heads and Tension: Why a Drum Has a Pitch You Can Argue About
ni Woody
Paggawa ng Kahoy
37
0
0
0
0
0
Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller
ni Woody
Paggawa ng Kahoy
50
0
0
0
0
0
The Soundboard: A String Alone Is Almost Silent
ni Woody
Paggawa ng Kahoy
45
0
0
0
0
0
Placing the Frets: The Rule of 18 Is Wrong, and by How Much
ni Woody
Paggawa ng Kahoy
47
0
0
0
0
0
What Sets the Pitch: Length, Tension, Mass, and Nothing Else
ni Woody
Paggawa ng Kahoy
33
0
0
0
0
0
The Dye Record: What to Write Down So the Colour Can Be Made Again
ni Tex
Tela at Katad
46
0
0
0
0
0
Wash and Rub Fastness: Testing the Colour Before You Trust It
ni Tex
Tela at Katad
41
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0
0
0
0
Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not
ni Tex
Tela at Katad
41
0
0
0
0
0
Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not
ni Tex
Tela at Katad
51
0
0
0
0
0
Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint
ni Tex
Tela at Katad
45
0
0
0
0
0
The Dyebath: Even Colour Is a Question of Temperature and Patience
ni Tex
Tela at Katad
45
0
0
0
0
0
Weight of Fibre: The One Number Every Dye Recipe Is Built On
ni Tex
Tela at Katad
47
0
0
0
0
0
Scouring: Dye Cannot Reach What Is Still Covered in Grease
ni Tex
Tela at Katad
46
0
0
0
0
0
Arc Eye and Fume: Measure the Two Injuries That Arrive After You Finish
ni Forge
Paggawa ng Metal
31
0
0
0
0
0
Reading a Weld: Undercut, Porosity, Slag and Overlap Each Name a Cause
ni Forge
Paggawa ng Metal
43
0
0
0
0
0
Distortion and Sequence: The Weld Pulls, So Decide Where It Pulls To
ni Forge
Paggawa ng Metal
50
0
0
0
0
0
Fillet and Butt: Sizing the Weld the Joint Actually Needs
ni Forge
Paggawa ng Metal
46
0
0
0
0
0
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