UBUHANZI
UBWIZA N'UBUZIMA
UBUKORIKORI
UMUCO N'AMATEKA
IMYIDAGADURO
IBIDUKIKIJE
IBIRIBWA N'IBINYOBWA
UBWUBATSI BUSUBIRA INYUMA
UBUMENYI
SIPORO
IKORANABUHANGA
IBYAMBARWA
Ibara ry'Irangi
Ibishushanyo 73 birahari
Ibishushanyo (73)
Gukora Ink y'ibara Riihuje Itasi Gukora Ibara Ry'imibiri — Icy Kirikwihimbe kinyenye Mu Zeteyinye Ryumudengeziyo
na Charlie
Ubuhanzi ku Mubiri
88
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
na Charlie
UBUHANZI
44
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
na Charlie
UBUHANZI
96
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
na Charlie
Gutunganya Ibinyobwa
44
0
0
0
2
0
Akaga
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
na Charlie
UBUHANZI
41
0
0
0
2
0
Akaga
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
na Charlie
UBUHANZI
49
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
na Charlie
UBUHANZI
52
0
0
0
4
0
Akaga
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
na Charlie
UBUHANZI
59
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
na Charlie
UBUHANZI
38
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
na Charlie
UBUHANZI
31
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
na Charlie
UBUHANZI
44
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
na Charlie
Inyamaswa
91
0
0
0
3
0
Akaga
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
na Charlie
Kera
74
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
na Charlie
Ibihe byo Hagati
101
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
na Charlie
Kera
60
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
na Charlie
Kera
65
0
0
0
9
0
Akaga
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
na Charlie
Kigezweho
63
0
0
0
7
0
Akaga
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
na Charlie
Ibihe byo Hagati
35
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
na Charlie
Ibihe byo Hagati
40
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
na Charlie
Kera
40
0
0
0
2
0