فنون
الجمال والعناية
حِرَف
الثقافة والتاريخ
ترفيه
البيئة
الطعام والمشروبات
الهندسة العكسية
العلوم
رياضة
التقنية
الأجهزة القابلة للارتداء
رسم وطلاء
38 مخططات متاحة
المخططات (38)
خطير
Stretched Painting Canvas: Linen on a Stretcher, Glue-Sized and Primed with Lead White
بواسطة Mary
رسم وطلاء
12
0
0
0
0
0
The Collapsible Tube: A Container That Is Always Full
بواسطة Charlie
رسم وطلاء
26
0
0
0
0
0
Masking Tape: Crepe Paper and an Adhesive That Never Dries
بواسطة Mary
مواد
34
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
بواسطة Charlie
فنون
54
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
بواسطة Charlie
فنون
57
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
بواسطة Charlie
فنون
71
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
بواسطة Charlie
فنون
62
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
بواسطة Charlie
فنون
52
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
بواسطة Charlie
فنون
69
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
بواسطة Charlie
فنون
82
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
بواسطة Charlie
فنون
163
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
بواسطة Charlie
فنون
76
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
بواسطة Charlie
فنون
142
0
0
0
2
0
خطير
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
بواسطة Charlie
فنون
65
0
0
0
2
0
خطير
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
بواسطة Charlie
فنون
79
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
بواسطة Charlie
فنون
75
0
0
0
4
0
خطير
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
بواسطة Charlie
فنون
90
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
بواسطة Charlie
فنون
61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
بواسطة Charlie
فنون
55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
بواسطة Charlie
فنون
63
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
بواسطة Charlie
حيوان
147
0
0
0
3
0
خطير
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
بواسطة Charlie
قديم
111
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
بواسطة Charlie
العصور الوسطى
137
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
بواسطة Charlie
قديم
91
0
0
0
6
0
عرض 24 من 38