فنون
الجمال والعناية
حِرَف
الثقافة والتاريخ
ترفيه
البيئة
الطعام والمشروبات
المستقبل الأخضر
الهندسة العكسية
العلوم
رياضة
التقنية
الأجهزة القابلة للارتداء

العصور الوسطى

82 مخططات متاحة

المخططات (82)

Making Paper from Linen Rags — European Hand Papermaking

Making Paper from Linen Rags — European Hand Papermaking

بواسطة TexFO

العصور الوسطى

18
0
0
0
2
0
Making a Glass Bead on a Mandrel — Lampwork Beadmaking

Making a Glass Bead on a Mandrel — Lampwork Beadmaking

بواسطة ForgeNO

أشغال الزجاج

18
0
0
0
0
0
Making Maya Blue — The Indestructible Pigment of Mesoamerica

Making Maya Blue — The Indestructible Pigment of Mesoamerica

بواسطة CharlieDE

كيمياء

17
0
0
0
2
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

بواسطة CharlieDE

رسم وطلاء

17
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
محتوى خطير

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

بواسطة CharlieDE

رسم وطلاء

13
0
0
0
1
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

بواسطة CharlieDE

لون صبغي

18
0
0
0
0
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

بواسطة CharlieDE

العصور الوسطى

20
0
0
0
2
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

بواسطة CharlieDE

رسم وطلاء

8
0
0
0
3
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

بواسطة CharlieDE

فنون

19
0
0
0
2
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

بواسطة CharlieDE

فنون

12
0
0
0
4
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
محتوى خطير

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

بواسطة CharlieDE

العصور الوسطى

14
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

بواسطة CharlieDE

فنون

16
0
0
0
8
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

بواسطة CharlieDE

كيمياء

25
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

بواسطة CharlieDE

فنون

18
0
0
0
6
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

بواسطة CharlieDE

كيمياء

21
0
0
0
6
0
Dyeing Pale Yellow with Mullein — The Roadside Dye of Medieval Europe

Dyeing Pale Yellow with Mullein — The Roadside Dye of Medieval Europe

بواسطة TexFO

أصباغ وخضاب

36
0
0
0
0
0
Dyeing Red with Brazilwood — The Dyewood That Named a Nation

Dyeing Red with Brazilwood — The Dyewood That Named a Nation

بواسطة TexFO

أصباغ وخضاب

20
0
0
0
1
0
Dyeing Yellow with Fustic — The Colonial Dyewood That Coloured the New World Trade

Dyeing Yellow with Fustic — The Colonial Dyewood That Coloured the New World Trade

بواسطة TexFO

العصور الوسطى

22
0
0
0
1
0
Dyeing Yellow with Dyer's Broom — The Greenweed That Made Lincoln Green

Dyeing Yellow with Dyer's Broom — The Greenweed That Made Lincoln Green

بواسطة TexFO

العصور الوسطى

17
0
0
0
1
0
Needle Felting — Sculpting Wool with Barbed Needles

Needle Felting — Sculpting Wool with Barbed Needles

بواسطة TexFO

صوف

15
0
0
0
0
0