فنون
الجمال والعناية
حِرَف
الثقافة والتاريخ
ترفيه
البيئة
الطعام والمشروبات
الهندسة العكسية
العلوم
رياضة
التقنية
الأجهزة القابلة للارتداء

لون صبغي

73 مخططات متاحة

المخططات (73)

صنع حبر الوشم الأسود من سناج الخشب — أقدم صبغة جسدية في تاريخ البشرية

صنع حبر الوشم الأسود من سناج الخشب — أقدم صبغة جسدية في تاريخ البشرية

بواسطة CharlieDE

فن الجسد

69
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

بواسطة CharlieDE

فنون

23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

بواسطة CharlieDE

فنون

62
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

بواسطة CharlieDE

تقطير

28
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
خطير

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

بواسطة CharlieDE

فنون

36
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
خطير

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

بواسطة CharlieDE

فنون

40
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

بواسطة CharlieDE

فنون

32
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
خطير

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

بواسطة CharlieDE

فنون

47
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

بواسطة CharlieDE

فنون

32
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

بواسطة CharlieDE

فنون

22
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

بواسطة CharlieDE

فنون

30
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

بواسطة CharlieDE

حيوان

56
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
خطير

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

بواسطة CharlieDE

قديم

47
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

بواسطة CharlieDE

العصور الوسطى

74
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

بواسطة CharlieDE

قديم

44
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

بواسطة CharlieDE

قديم

46
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
خطير

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

بواسطة CharlieDE

حديث

46
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
خطير

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

بواسطة CharlieDE

العصور الوسطى

26
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

بواسطة CharlieDE

العصور الوسطى

28
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

بواسطة CharlieDE

قديم

23
0
0
0
2
0