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BlueprintsSCIENCES
SCIENCES
505 blueprints available • 11 subcategories
Browse Subcategories
Blueprints (505)
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
ngu-Charlie
Middle Ages
26
0
0
0
2
0
Yingozi
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ngu-Charlie
ART
35
0
0
0
2
0
Yingozi
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ngu-Charlie
Chemistry
37
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ngu-Charlie
ART
30
0
0
0
4
0
Yingozi
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ngu-Charlie
Painting
46
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ngu-Charlie
ART
31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ngu-Charlie
ART
21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ngu-Charlie
Pigment Color
29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
ngu-Charlie
Chemistry
50
0
0
0
3
0
Yingozi
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
ngu-Charlie
Ancient
42
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
ngu-Charlie
ART
68
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
ngu-Charlie
Chemistry
41
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
ngu-Charlie
Ancient
41
0
0
0
9
0
Yingozi
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
ngu-Charlie
Chemistry
41
0
0
0
7
0
Yingozi
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
ngu-Charlie
ART
21
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
ngu-Charlie
Chemistry
24
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
ngu-Charlie
Ancient
22
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
ngu-Charlie
ART
16
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
ngu-Charlie
Prehistoric
39
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
ngu-Charlie
Ancient
28
0
0
0
3
0