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Cutting a Kanawa-Tsugi Timber Splice Joint — Traditional Japanese Joinery
Woody

Criado por

Woody

23. March 2026

Cutting a Kanawa-Tsugi Timber Splice Joint — Traditional Japanese Joinery

Cut a kanawa-tsugi (metal-ring splice), one of the most elegant Japanese timber joints. This splice joint connects two timbers end-to-end to create a longer beam, using interlocking geometry and a wedge to create a joint that resists tension, compression, and bending without any metal fasteners, glue, or nails.

Advanced
4-6 hours

Instruções

1

Mark Out the Joint on Both Timbers

The kanawa-tsugi consists of two mirror-image halves that interlock with stepped faces and a central mortise that accepts a locking wedge. Using a marking gauge and square, lay out the joint on both timber ends simultaneously to ensure they match precisely. The joint length is typically 1.5-2 times the timber width. Mark the centre line on all four faces, then mark the stepped profile: each half has a hook-shaped projection that fits into a corresponding recess in the other half. The stepped faces create mechanical resistance against pulling apart, while the wedge slot runs through both halves at the centre. Every line must be scored with a marking knife — pencil lines are not precise enough for joints that must fit within fractions of a millimetre.

2

Saw the Shoulder Cuts

Using a ryoba saw (the crosscut side for cuts across the grain, the rip side for cuts along the grain), make the shoulder cuts that define the stepped faces. Saw precisely to the marked lines, stopping at the correct depth. Japanese pull saws cut on the pull stroke, which keeps the blade in tension and produces a thinner, more accurate kerf than Western push saws. For the angled faces of the hook, saw carefully along the marked angle lines. Each cut must be straight and square — a wandering saw cut means the faces will not meet flush, and the joint will rock or have gaps. Saw all shoulder cuts on both halves before proceeding to chiseling.

Step 2 - Image 1
3

Chisel the Waste and Mortise

Remove the waste wood between the saw cuts using sharp chisels. Work from both sides toward the centre to prevent breakout. For the recesses, pare the bottom flat using a wide chisel with the bevel down, taking thin shavings. The mortise for the locking wedge runs through the joint at the centre — chop it using a mortise chisel, working from both sides to meet in the middle. The mortise walls must be clean and parallel. Test-fit the two halves frequently as you work, marking any high spots with chalk or pencil and paring them down. Japanese joinery depends on perfect surface-to-surface contact: gaps indicate that load is being carried by points rather than distributed across the full face.

4

Test-Fit and Adjust

Slide the two halves together dry (without the wedge). The joint should engage smoothly with firm hand pressure — if you need a mallet to drive it home, the fit is too tight and the wood will split under stress. If it slides freely with no resistance, the faces are not meeting properly. Mark contact points by rubbing chalk on one face and pressing the halves together — chalk transfer shows where contact is occurring. Pare away any chalk marks that indicate a high spot preventing full-face contact. The joint should close with the stepped faces meeting flush on all surfaces and the end grain alignment clean. When the fit is correct, the joint feels solid and will not rack or twist under hand pressure.

5

Drive the Locking Wedge

Assemble the joint fully and insert a hardwood wedge (traditionally oak, which is harder than the softwood beam) into the through-mortise. Tap the wedge in with a mallet until the joint draws tight and the faces are under slight compression. The wedge transforms the joint from a friction fit to a mechanically locked connection — it cannot be pulled apart without first driving the wedge back out. Trim the wedge flush with the timber surface using a sharp chisel. A properly made kanawa-tsugi transmits tension and compression loads across the splice almost as effectively as continuous timber, and has been used in Japanese temple construction to create beams longer than any single tree could provide. The joint requires no glue, no nails, and no metal — only precise geometry.

Step 5 - Image 1

Materiais

  • Squared timber (cypress, cedar, or similar straight-grained softwood) - 2 pieces, each ~60cm x 10cm x 10cm piece
  • Hardwood wedge (oak or similar) - 1 small wedge pieceReferência
    Ver

Ferramentas necessárias

  • Ryoba saw (Japanese double-edged pull saw)Referência
    Ver
  • Chisels (oire-nomi, various widths 6-24mm)
  • Wooden mallet (gennou)Referência
    Ver
  • Marking gauge (kebiki)Referência
    Ver
  • Square and marking knife

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