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1.503 Blaupausen verfügbar • 17 Unterkategorien
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Blaupausen (1.503)

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
von Charlie
KUNST
44
0
0
0
0
0

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
von Charlie
KUNST
45
0
0
0
2
0

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
von Charlie
KUNST
44
0
0
0
2
0

Gefährlich
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
von Charlie
KUNST
37
0
0
0
4
0

Gefährlich
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
von Charlie
KUNST
44
0
0
0
0
0

Gefährlich
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
von Charlie
KUNST
78
0
0
0
1
0

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
von Charlie
KUNST
124
0
0
0
0
0

Rote Ocker-Tätowierfarbe herstellen
von Charlie
Körperkunst
78
0
0
0
1
0

Herstellung schwarzer Tätowiertinte aus Holzruß — Das älteste Körperpigment der Menschheit
von Charlie
Körperkunst
88
0
0
0
0
0

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
von Charlie
KUNST
44
0
0
0
3
0

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
von Charlie
KUNST
96
0
0
0
2
0

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
von Charlie
Destillieren
43
0
0
0
2
0

Gefährlich
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
von Charlie
KUNST
41
0
0
0
2
0

Gefährlich
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
von Charlie
KUNST
49
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
von Charlie
KUNST
49
0
0
0
4
0

Gefährlich
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
von Charlie
KUNST
59
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
von Charlie
KUNST
37
0
0
0
1
0

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
von Charlie
KUNST
30
0
0
0
1
0

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
von Charlie
KUNST
42
0
0
0
3
0

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
von Charlie
Tier
90
0
0
0
3
0