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BlaupausenCulture And History
KULTUR & GESCHICHTE
796 Blaupausen verfügbar • 3 Unterkategorien
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Blaupausen (796)
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
von Charlie
Pigmentfarbe
16
0
0
0
0
0
Rote Ocker-Tätowierfarbe herstellen
von Charlie
Pigmentfarbe
16
0
0
0
1
0
Herstellung schwarzer Tätowiertinte aus Holzruß — Das älteste Körperpigment der Menschheit
von Charlie
Prähistorisch
14
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
von Charlie
Malerei
6
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
von Charlie
Modern
24
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
von Charlie
KUNST
16
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
von Charlie
Pigmentfarbe
17
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
von Charlie
Chemie
17
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
von Charlie
KUNST
17
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
von Charlie
Uralt
21
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
von Charlie
KUNST
15
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
von Charlie
Malerei
10
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
von Charlie
Pigmentfarbe
11
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
von Charlie
Chemie
12
0
0
0
3
0
Gefährlicher Inhalt
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
von Charlie
KUNST
15
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
von Charlie
KUNST
9
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
von Charlie
KUNST
25
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
von Charlie
Pigmentfarbe
22
0
0
0
9
0
Gefährlicher Inhalt
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
von Charlie
Malerei
18
0
0
0
7
0
Gefährlicher Inhalt
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
von Charlie
Mittelalter
14
0
0
0
6
0