ART
BEAUTY & WELLNESS
CRAFT
CULTURE & HISTORY
ENTERTAINMENT
ENVIRONMENT
FOOD & DRINKS
REVERSE ENGINEERING
SCIENCES
SPORTS
TECHNOLOGY
WEARABLES
BlueprintsART
ART
128 blueprints available • 3 subcategories
Browse Subcategories
Blueprints (128)
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
by Charlie
ART
62
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
by Charlie
ART
96
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
by Charlie
ART
52
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
by Charlie
ART
69
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
by Charlie
ART
82
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
by Charlie
ART
76
0
0
0
2
0
Hazardous
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
by Charlie
ART
56
0
0
0
4
0
Hazardous
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
by Charlie
ART
57
0
0
0
0
0
Hazardous
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
by Charlie
ART
101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
by Charlie
ART
166
0
0
0
0
0
Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures
by Charlie
Body Art
133
0
0
0
1
0
Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History
by Charlie
Body Art
138
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
by Charlie
ART
76
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
by Charlie
ART
144
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
by Charlie
Distilling
73
0
0
0
2
0
Hazardous
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
by Charlie
ART
65
0
0
0
2
0
Hazardous
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
by Charlie
ART
79
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
by Charlie
ART
75
0
0
0
4
0
Hazardous
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
by Charlie
ART
92
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
by Charlie
ART
63
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
by Charlie
ART
56
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
by Charlie
ART
65
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
by Charlie
Animal
147
0
0
0
3
0
Hazardous
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
by Charlie
Ancient
119
0
0
0
8
0
Showing 24 of 128