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BlueprintsART
ART
128 blueprints available • 3 subcategories
Browse Subcategories
Blueprints (128)
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
by Charlie
Middle Ages
137
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
by Charlie
Ancient
91
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
by Charlie
Ancient
93
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
by Charlie
Modern
98
0
0
0
7
0
Hazardous
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
by Charlie
Middle Ages
66
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
by Charlie
Middle Ages
66
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
by Charlie
Ancient
69
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
by Charlie
Ancient
48
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
by Charlie
Ancient
204
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
by Charlie
Prehistoric
79
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
by Charlie
Ancient
53
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
by Charlie
Middle Ages
67
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
by Charlie
Ancient
90
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
by Charlie
Prehistoric
173
0
0
0
6
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World
by Charlie
Prehistoric
132
0
0
0
2
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
by Charlie
Prehistoric
131
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
by Charlie
Middle Ages
96
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters
by Charlie
Ancient
96
0
0
0
7
0
Cochineal Harvest from Prickly Pear — From Insect to Carmine Pigment
by Florecita
Agriculture
52
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
by Charlie
Painting
152
0
0
2
0
0
Making Egg Tempera Paint — The Medieval Panel Painting Medium
by Charlie
Painting
235
0
0
0
4
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil
by Charlie
Painting
148
0
0
0
5
0
Making Watercolour Paint from Raw Pigments — Gum Arabic Binder
by Charlie
Painting
204
0
0
2
2
0
Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing
by Mary
Painting
145
0
0
0
8
0
Showing 24 of 128