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PlansART
ART
126 blueprints disponibles • 3 sous-catégories
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Plans (126)
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
par Charlie
ART
51
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
par Charlie
ART
66
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
par Charlie
ART
77
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
par Charlie
ART
71
0
0
0
2
0
Dangereux
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
par Charlie
ART
54
0
0
0
4
0
Dangereux
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
par Charlie
ART
55
0
0
0
0
0
Dangereux
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
par Charlie
ART
101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
par Charlie
ART
156
0
0
0
0
0
Fabriquer de la Peinture de Tatouage Ocre Rouge
par Charlie
Art Corporel
125
0
0
0
1
0
Fabriquer de l'encre de tatouage noire à partir de suie de bois — Le plus ancien pigment corporel de l'histoire humaine
par Charlie
Art Corporel
135
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
par Charlie
ART
73
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
par Charlie
ART
135
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
par Charlie
Distillation
68
0
0
0
2
0
Dangereux
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
par Charlie
ART
65
0
0
0
2
0
Dangereux
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
par Charlie
ART
75
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
par Charlie
ART
72
0
0
0
4
0
Dangereux
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
par Charlie
ART
88
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
par Charlie
ART
61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
par Charlie
ART
55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
par Charlie
ART
59
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
par Charlie
Animal
142
0
0
0
3
0
Dangereux
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
par Charlie
Ancien
108
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
par Charlie
Moyen Âge
132
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
par Charlie
Ancien
90
0
0
0
6
0
24 sur 126 affichés