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TEKNOLOGI
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Kimia
416 cetak biru tersedia • 22 subkategori
Jelajahi Subkategori
Cetak Biru (416)
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
oleh Charlie
SENI
51
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
oleh Charlie
SENI
66
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
oleh Charlie
SENI
77
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
oleh Charlie
SENI
71
0
0
0
2
0
Berbahaya
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
oleh Charlie
SENI
54
0
0
0
4
0
Berbahaya
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
oleh Charlie
SENI
55
0
0
0
0
0
Berbahaya
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
oleh Charlie
SENI
101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
oleh Charlie
SENI
156
0
0
0
0
0
Membuat Cat Tato Besi Oker Merah
oleh Charlie
Seni Tubuh
125
0
0
0
1
0
Membuat Tinta Tato Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia
oleh Charlie
Seni Tubuh
135
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
oleh Charlie
SENI
73
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
oleh Charlie
SENI
135
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
oleh Charlie
Penyulingan
68
0
0
0
2
0
Berbahaya
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
oleh Charlie
SENI
65
0
0
0
2
0
Berbahaya
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
oleh Charlie
SENI
75
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
oleh Charlie
SENI
72
0
0
0
4
0
Berbahaya
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
oleh Charlie
SENI
88
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
oleh Charlie
SENI
61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
oleh Charlie
SENI
55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
oleh Charlie
SENI
61
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
oleh Charlie
Hewan
143
0
0
0
3
0
Berbahaya
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
oleh Charlie
Kuno
108
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
oleh Charlie
Abad Pertengahan
132
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
oleh Charlie
Kuno
90
0
0
0
6
0
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