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1.030 cetak biru tersedia • 22 subkategori
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Cetak Biru (1.030)
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
oleh Charlie
SENI
81
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
oleh Charlie
SENI
157
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
oleh Charlie
Penyulingan
87
0
0
0
2
0
Berbahaya
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
oleh Charlie
SENI
78
0
0
0
2
0
Berbahaya
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
oleh Charlie
SENI
81
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
oleh Charlie
SENI
81
0
0
0
4
0
Berbahaya
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
oleh Charlie
SENI
99
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
oleh Charlie
SENI
68
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
oleh Charlie
SENI
61
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
oleh Charlie
SENI
77
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
oleh Charlie
Hewan
170
0
0
0
3
0
Berbahaya
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
oleh Charlie
Kuno
128
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
oleh Charlie
Abad Pertengahan
145
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
oleh Charlie
Kuno
102
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
oleh Charlie
Kuno
104
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
oleh Charlie
Modern
110
0
0
0
7
0
Berbahaya
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
oleh Charlie
Abad Pertengahan
67
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
oleh Charlie
Abad Pertengahan
76
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
oleh Charlie
Kuno
73
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
oleh Charlie
Kuno
60
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
oleh Charlie
Prasejarah
96
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
oleh Charlie
Kuno
58
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
oleh Charlie
Kuno
103
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
oleh Charlie
Prasejarah
198
0
0
0
6
0
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