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Cetak BiruILMU PENGETAHUAN
ILMU PENGETAHUAN
569 cetak biru tersedia • 11 subkategori
Jelajahi Subkategori
Cetak Biru (569)

Berbahaya
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
oleh Charlie
SENI
46
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
oleh Charlie
SENI
31
0
0
0
1
0

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
oleh Charlie
SENI
21
0
0
0
1
0

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
oleh Charlie
SENI
29
0
0
0
2
0

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
oleh Charlie
Hewan
52
0
0
0
3
0

Berbahaya
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
oleh Charlie
Kuno
47
0
0
0
8
0

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
oleh Charlie
Abad Pertengahan
69
0
0
0
4
0

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
oleh Charlie
Kuno
43
0
0
0
6
0

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
oleh Charlie
Kuno
43
0
0
0
9
0

Berbahaya
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
oleh Charlie
Modern
45
0
0
0
7
0

Berbahaya
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
oleh Charlie
Abad Pertengahan
23
0
0
0
6
0

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
oleh Charlie
Abad Pertengahan
27
0
0
0
8
0

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
oleh Charlie
Kuno
23
0
0
0
2
0

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
oleh Charlie
Kuno
18
0
0
0
3
0

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
oleh Charlie
Prasejarah
41
0
0
0
5
0

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
oleh Charlie
Kuno
28
0
0
0
3
0

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
oleh Charlie
Kuno
35
0
0
0
6
0

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
oleh Charlie
Prasejarah
69
0
0
0
6
0

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
oleh Charlie
Prasejarah
51
0
0
0
7
0

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
oleh Charlie
Abad Pertengahan
38
0
0
0
6
0