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Cetak BiruILMU PENGETAHUAN

ILMU PENGETAHUAN

1.546 cetak biru tersedia • 11 subkategori

Cetak Biru (1.546)

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

oleh CharlieDE

SENI

71
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Berbahaya

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

oleh CharlieDE

SENI

54
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Berbahaya

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

oleh CharlieDE

SENI

55
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Berbahaya

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

oleh CharlieDE

SENI

101
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

oleh CharlieDE

SENI

156
0
0
0
0
0
Membuat Cat Tato Besi Oker Merah

Membuat Cat Tato Besi Oker Merah

oleh CharlieDE

Seni Tubuh

125
0
0
0
1
0
Membuat Tinta Tato Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia

Membuat Tinta Tato Hitam dari Jelaga Kayu — Pigmen Tubuh Tertua dalam Sejarah Manusia

oleh CharlieDE

Seni Tubuh

135
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

oleh CharlieDE

SENI

73
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

oleh CharlieDE

SENI

135
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

oleh CharlieDE

Penyulingan

68
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Berbahaya

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

oleh CharlieDE

SENI

65
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Berbahaya

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

oleh CharlieDE

SENI

75
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

oleh CharlieDE

SENI

72
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Berbahaya

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

oleh CharlieDE

SENI

88
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

oleh CharlieDE

SENI

61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

oleh CharlieDE

SENI

55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

oleh CharlieDE

SENI

59
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

oleh CharlieDE

Hewan

142
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Berbahaya

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

oleh CharlieDE

Kuno

108
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

oleh CharlieDE

Abad Pertengahan

132
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

oleh CharlieDE

Kuno

90
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

oleh CharlieDE

Kuno

90
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

oleh CharlieDE

Modern

90
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Berbahaya

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

oleh CharlieDE

Abad Pertengahan

64
0
0
0
6
0
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