कला
सौंदर्य और कल्याण
हस्तशिल्प
संस्कृति और इतिहास
मनोरंजन
पर्यावरण
खाद्य और पेय
रिवर्स इंजीनियरिंग
विज्ञान
खेल
प्रौद्योगिकी
पहनने योग्य

रंगद्रव्य रंग

76 ब्लूप्रिंट उपलब्ध

ब्लूप्रिंट (76)

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
खतरनाक

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie द्वाराDE

कला

79
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie द्वाराDE

कला

73
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
खतरनाक

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie द्वाराDE

कला

89
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie द्वाराDE

कला

61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie द्वाराDE

कला

55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie द्वाराDE

कला

63
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie द्वाराDE

जानवर

145
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
खतरनाक

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie द्वाराDE

प्राचीन

109
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie द्वाराDE

मध्य युग

135
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie द्वाराDE

प्राचीन

91
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie द्वाराDE

प्राचीन

90
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie द्वाराDE

आधुनिक

94
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
खतरनाक

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie द्वाराDE

मध्य युग

65
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie द्वाराDE

मध्य युग

64
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie द्वाराDE

प्राचीन

67
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Charlie द्वाराDE

प्राचीन

48
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Charlie द्वाराDE

प्रागैतिहासिक

75
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Charlie द्वाराDE

प्राचीन

53
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Charlie द्वाराDE

प्राचीन

85
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Charlie द्वाराDE

प्रागैतिहासिक

171
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Charlie द्वाराDE

प्रागैतिहासिक

124
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Charlie द्वाराDE

मध्य युग

95
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters

Making Verdigris — The Copper Acetate Green of Medieval Painters

Charlie द्वाराDE

प्राचीन

95
0
0
0
7
0
पौधों से प्राकृतिक रंजक निष्कर्षण — बगीचे से रंग

पौधों से प्राकृतिक रंजक निष्कर्षण — बगीचे से रंग

Bob द्वाराBE

जीव विज्ञान

58
0
0
0
0
0
76 में से 24 दिखाए जा रहे हैं