कला
सौंदर्य और कल्याण
हस्तशिल्प
संस्कृति और इतिहास
मनोरंजन
पर्यावरण
खाद्य और पेय
रिवर्स इंजीनियरिंग
विज्ञान
खेल
प्रौद्योगिकी
पहनने योग्य

रंगद्रव्य रंग

73 ब्लूप्रिंट उपलब्ध

ब्लूप्रिंट (73)

लकड़ी की कालिख से काली टैटू स्याही बनाना — मानव इतिहास में सबसे पुरानी शरीर रंजक

लकड़ी की कालिख से काली टैटू स्याही बनाना — मानव इतिहास में सबसे पुरानी शरीर रंजक

Charlie द्वाराDE

शरीर कला

69
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie द्वाराDE

कला

23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie द्वाराDE

कला

62
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie द्वाराDE

आसवन

28
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
खतरनाक

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie द्वाराDE

कला

36
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
खतरनाक

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie द्वाराDE

कला

40
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie द्वाराDE

कला

32
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
खतरनाक

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie द्वाराDE

कला

47
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie द्वाराDE

कला

32
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie द्वाराDE

कला

22
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie द्वाराDE

कला

30
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie द्वाराDE

जानवर

56
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
खतरनाक

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie द्वाराDE

प्राचीन

47
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie द्वाराDE

मध्य युग

74
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie द्वाराDE

प्राचीन

44
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie द्वाराDE

प्राचीन

46
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
खतरनाक

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie द्वाराDE

आधुनिक

46
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
खतरनाक

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie द्वाराDE

मध्य युग

26
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie द्वाराDE

मध्य युग

28
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie द्वाराDE

प्राचीन

23
0
0
0
2
0