LIST
FEGURÐ OG VELLÍÐAN
HANDVERK
MENNING OG SAGA
SKEMMTUN
UMHVERFI
MATUR OG DRYKKUR
GRÆN FRAMTÍÐ
ÖFUGVERKFRÆÐI
VÍSINDI
ÍÞRÓTTIR
TÆKNI
KLÆÐANLEG TÆKNI
Málverk
35 teikningar tiltækar
Teikningar (35)

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
eftir Charlie
Litarefnalitur
19
0
0
0
2
0

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
eftir Charlie
Litarefnalitur
15
0
0
0
5
0

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
eftir Charlie
Málverk
17
0
0
0
2
0

Hazardous content
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
eftir Charlie
Málverk
13
0
0
0
1
0

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
eftir Charlie
Málverk
12
0
0
0
2
0

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
eftir Charlie
Litarefnalitur
18
0
0
0
0
0

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
eftir Charlie
Forn
18
0
0
0
2
0

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
eftir Charlie
Litarefnalitur
24
0
0
0
0
0

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
eftir Charlie
Málverk
8
0
0
0
3
0

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
eftir Charlie
Nútíma
28
0
0
0
2
0

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
eftir Charlie
Litarefnalitur
20
0
0
0
2
0

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
eftir Charlie
Efnafræði
21
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
eftir Charlie
LIST
20
0
0
0
4
0

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
eftir Charlie
Forn
26
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
eftir Charlie
LIST
19
0
0
0
1
0

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
eftir Charlie
Málverk
11
0
0
0
1
0

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
eftir Charlie
Litarefnalitur
13
0
0
0
2
0

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
eftir Charlie
Efnafræði
23
0
0
0
3
0

Hazardous content
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
eftir Charlie
LIST
17
0
0
0
8
0

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
eftir Charlie
LIST
12
0
0
0
4
0