LIST
FEGURÐ OG VELLÍÐAN
HANDVERK
MENNING OG SAGA
SKEMMTUN
UMHVERFI
MATUR OG DRYKKUR
ÖFUGVERKFRÆÐI
VÍSINDI
ÍÞRÓTTIR
TÆKNI
KLÆÐANLEG TÆKNI
TeikningarVÍSINDI
VÍSINDI
505 teikningar tiltækar • 11 undirflokkar
Skoða undirflokka
Teikningar (505)

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
eftir Charlie
Miðaldir
26
0
0
0
2
0

Hættulegt
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
eftir Charlie
LIST
35
0
0
0
2
0

Hættulegt
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
eftir Charlie
Efnafræði
37
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
eftir Charlie
LIST
30
0
0
0
4
0

Hættulegt
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
eftir Charlie
Málverk
46
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
eftir Charlie
LIST
31
0
0
0
1
0

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
eftir Charlie
LIST
21
0
0
0
1
0

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
eftir Charlie
Litarefnalitur
29
0
0
0
2
0

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
eftir Charlie
Efnafræði
50
0
0
0
3
0

Hættulegt
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
eftir Charlie
Forn
42
0
0
0
8
0

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
eftir Charlie
LIST
68
0
0
0
4
0

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
eftir Charlie
Efnafræði
41
0
0
0
6
0

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
eftir Charlie
Forn
41
0
0
0
9
0

Hættulegt
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
eftir Charlie
Efnafræði
41
0
0
0
7
0

Hættulegt
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
eftir Charlie
LIST
21
0
0
0
6
0

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
eftir Charlie
Efnafræði
24
0
0
0
8
0

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
eftir Charlie
Forn
22
0
0
0
2
0

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
eftir Charlie
LIST
16
0
0
0
3
0

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
eftir Charlie
Forsögulegt
39
0
0
0
5
0

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
eftir Charlie
Forn
28
0
0
0
3
0