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The Pattern Is Not the Part: Draft, Shrinkage and Machining Allowance
Forge

作成者

Forge

24. 9月 2026NO
17
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The Pattern Is Not the Part: Draft, Shrinkage and Machining Allowance

A pattern is not a copy of the finished part. It is deliberately LARGER, deliberately TAPERED, and deliberately oversized wherever a machined surface will be cut — and each of those three differences has a separate reason. DRAFT is the taper that lets the pattern come out of the sand without tearing the mould. SHRINKAGE allowance makes the pattern bigger because metal contracts as it freezes and cools. MACHINING allowance leaves metal for the cutting tool to remove. Get any of the three wrong and the casting is scrap. Get them right and the same pattern makes identical parts indefinitely, which is the entire economic point of casting.
中級者
3 hours

手順

1

Draft: the pattern has to come out

Every surface that runs perpendicular to the parting plane must be tapered so the pattern lifts cleanly. A vertical wall drags sand with it and leaves a torn mould, and that tear becomes a lump on the casting. One to three degrees is usual for sand casting, more for deep pockets and less for shallow ones. The rule of thumb is that a deeper draw needs more draft, because a small angle over a long distance still leaves the sand gripping. Draft always ADDS material away from the parting line, never removes it. A part that must be a precise size at the bottom of a deep feature has to be machined there, because draft is not optional and it is always in the direction that makes the casting thicker.

このステップの材料:

堅木の板堅木の板1 個
鋳物砂鋳物砂1 kg

必要な工具:

ヤスリセットヤスリセット
デジタルノギス 6インチデジタルノギス 6インチ
定規定規
2

Shrinkage: build the pattern oversize by the right amount

Jupyter ノートブックを読み込み中…

このステップの材料:

堅木の板堅木の板1 個
青銅のインゴット青銅のインゴット1 個

必要な工具:

デスクトップパソコンデスクトップパソコン
デジタルノギス 6インチデジタルノギス 6インチ
定規定規
3

Machining allowance goes only where a tool will cut

A cast surface is rough, slightly scaled, and not accurately placed. Any face that has to be flat, parallel or dimensionally exact must be machined, and the pattern has to carry extra metal there for the tool to remove. Two to five millimetres is typical for sand casting, and more on large surfaces and on the cope side — the upper half of the mould collects more inclusions, so critical machined faces are placed in the drag where possible. Do NOT add it everywhere. Extra metal is extra weight, extra cost, extra shrinkage to feed, and extra machining time. Deciding which faces are machined and which are left as-cast is a design decision made before the pattern is started.

このステップの材料:

堅木の板堅木の板1 個

必要な工具:

デジタルノギス 6インチデジタルノギス 6インチ
ヤスリセットヤスリセット
4

Finish the pattern properly, because it prints

Every scratch, dent and grain on the pattern is reproduced in the sand and then in the metal. A pattern sanded smooth and sealed gives a smooth casting; a rough one gives a rough one, and rough castings are harder to clean and harder to machine. Seal and wax wooden patterns. Bare wood absorbs moisture from green sand, swells and changes size, and it also grips the sand instead of releasing. Fillet every internal corner. A sharp internal corner in the pattern makes a sharp sand edge that breaks off into the casting, and it makes a stress concentration in the finished part — the same argument as a fillet in a printed part or a forged one.

このステップの材料:

堅木の板堅木の板1 個
蜜蝋蜜蝋1 個

必要な工具:

ヤスリセットヤスリセット
拡大ルーペ拡大ルーペ
デジタルノギス 6インチデジタルノギス 6インチ

材料

4

必要な工具

5

CC0 パブリックドメイン

このブループリントはCC0で公開されています。許可を求めずに、自由にコピー、修正、配布、あらゆる目的で使用できます。

メイカーを応援するには、ブループリント経由で製品を購入してください。メイカーには メイカーコミッション がベンダーにより設定されています。または、このブループリントの新しいイテレーションを作成し、自分のブループリントにコネクションとして含めて収益を共有できます。

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