សិល្បៈ
សម្រស់ និង សុខុមាលភាព
សិប្បកម្ម
វប្បធម៌ និង ប្រវត្តិសាស្ត្រ
ការកម្សាន្ត
បរិស្ថាន
ម្ហូប និង ភេសជ្ជៈ
វិស្វកម្មបញ្ច្រាស
វិទ្យាសាស្ត្រ
កីឡា
បច្ចេកវិទ្យា
ប្រដាប់ដែលស្លៀក
សម័យកាល
2,101 ប្លង់មាន • 17 ប្រភេទរង
រុករកប្រភេទរង
Scientific Revolution (1600–1760)
Industry 5.0 — Open Knowledge & AI Collaboration (2026)
Renaissance (1400–1600)
Industry 4.0 — Computers & Digital Automation (1960)
Industry 3.0 — Assembly Line & Mass Production (1913)
Industry 2.0 — Electricity, Steel & Oil (1870)
Industry 1.0 — Steam & Mechanization (1760)
ប្រចាំសម័យថ្មី
សម័យទំនើប
មជ្ឈិមសតវត្ស
បុរាណ
ពីមុនប្រវត្តិសាស្ត្រ
សម័យអេដូ
ក្រិកបុរាណ
អេហ្ស៊ីប
រ៉ូម៉ាំង
វីកឃីង
ប្លង់ (2,101)
គ្រោះថ្នាក់
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
ដោយ Charlie
សិល្បៈ
68
0
0
0
4
0
គ្រោះថ្នាក់
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
ដោយ Charlie
សិល្បៈ
83
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
ដោយ Charlie
សិល្បៈ
67
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
ដោយ Charlie
សិល្បៈ
86
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
ដោយ Charlie
សិល្បៈ
70
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
ដោយ Charlie
សិល្បៈ
99
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
ដោយ Charlie
សិល្បៈ
61
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
ដោយ Charlie
សិល្បៈ
86
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ដោយ Charlie
សិល្បៈ
95
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
ដោយ Charlie
សិល្បៈ
94
0
0
0
2
0
គ្រោះថ្នាក់
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
ដោយ Charlie
សិល្បៈ
61
0
0
0
4
0
គ្រោះថ្នាក់
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
ដោយ Charlie
សិល្បៈ
63
0
0
0
0
0
គ្រោះថ្នាក់
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
ដោយ Charlie
សិល្បៈ
109
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ដោយ Charlie
សិល្បៈ
196
0
0
0
0
0
Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures
ដោយ Charlie
សិល្បៈរាងកាយ
155
0
0
0
1
0
Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History
ដោយ Charlie
សិល្បៈរាងកាយ
156
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ដោយ Charlie
សិល្បៈ
83
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ដោយ Charlie
សិល្បៈ
162
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
ដោយ Charlie
ការចម្រោះ
89
0
0
0
2
0
គ្រោះថ្នាក់
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ដោយ Charlie
សិល្បៈ
80
0
0
0
2
0
គ្រោះថ្នាក់
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ដោយ Charlie
សិល្បៈ
83
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ដោយ Charlie
សិល្បៈ
88
0
0
0
4
0
គ្រោះថ្នាក់
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ដោយ Charlie
សិល្បៈ
104
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ដោយ Charlie
សិល្បៈ
75
0
0
0
1
0
បង្ហាញ 24 ក្នុងចំណោម 2101