សិល្បៈ
សម្រស់ និង សុខុមាលភាព
សិប្បកម្ម
វប្បធម៌ និង ប្រវត្តិសាស្ត្រ
ការកម្សាន្ត
បរិស្ថាន
ម្ហូប និង ភេសជ្ជៈ
វិស្វកម្មបញ្ច្រាស
វិទ្យាសាស្ត្រ
កីឡា
បច្ចេកវិទ្យា
ប្រដាប់ដែលស្លៀក

ពណ៌ពណ៌

73 ប្លង់មាន

ប្លង់ (73)

Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History

Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History

ដោយ CharlieDE

សិល្បៈរាងកាយ

68
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

ដោយ CharlieDE

សិល្បៈ

23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

ដោយ CharlieDE

សិល្បៈ

60
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

ដោយ CharlieDE

ការចម្រោះ

28
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
គ្រោះថ្នាក់

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

ដោយ CharlieDE

សិល្បៈ

36
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
គ្រោះថ្នាក់

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

ដោយ CharlieDE

សិល្បៈ

40
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

ដោយ CharlieDE

សិល្បៈ

30
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
គ្រោះថ្នាក់

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

ដោយ CharlieDE

សិល្បៈ

47
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

ដោយ CharlieDE

សិល្បៈ

31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

ដោយ CharlieDE

សិល្បៈ

21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

ដោយ CharlieDE

សិល្បៈ

29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

ដោយ CharlieDE

សត្វ

52
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
គ្រោះថ្នាក់

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

ដោយ CharlieDE

បុរាណ

47
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

ដោយ CharlieDE

មជ្ឈិមសតវត្ស

71
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

ដោយ CharlieDE

បុរាណ

43
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

ដោយ CharlieDE

បុរាណ

43
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
គ្រោះថ្នាក់

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

ដោយ CharlieDE

សម័យទំនើប

45
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
គ្រោះថ្នាក់

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

ដោយ CharlieDE

មជ្ឈិមសតវត្ស

25
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

ដោយ CharlieDE

មជ្ឈិមសតវត្ស

28
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

ដោយ CharlieDE

បុរាណ

23
0
0
0
2
0