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BlueprintsCulture And History
CULTURE & HISTORY
819 blueprints available • 3 subcategories
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Blueprints (819)

Hazardous content
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Charlie විසින්
Ancient
14
0
0
0
4
0

Hazardous content
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Charlie විසින්
ART
23
0
0
0
0
0

Hazardous content
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Charlie විසින්
ART
40
0
0
0
1
0

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
Charlie විසින්
Pigment Color
30
0
0
0
0
0

රතු ඔකර ටැටු පින්තුර සෑදීම
Charlie විසින්
Body Art
18
0
0
0
1
0

ලී දුවාවෙන් කළු ටැටු තීන්ත සෑදීම — මිනිස් ඉතිහාසයේ පැරණිතම සිරුර වර්ණද්රව්යය
Charlie විසින්
Tattoo
26
0
0
0
0
0

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
Charlie විසින්
Middle Ages
9
0
0
0
3
0

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
Charlie විසින්
Painting
33
0
0
0
2
0

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
Charlie විසින්
Middle Ages
19
0
0
0
2
0

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Charlie විසින්
ART
22
0
0
0
2
0

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Charlie විසින්
Painting
22
0
0
0
2
0

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
Charlie විසින්
Ancient
21
0
0
0
4
0

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Charlie විසින්
ART
28
0
0
0
5
0

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
Charlie විසින්
Pigment Color
20
0
0
0
1
0

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
Charlie විසින්
Pigment Color
12
0
0
0
1
0

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
Charlie විසින්
Pigment Color
14
0
0
0
2
0

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
Charlie විසින්
Pigment Color
28
0
0
0
3
0

Hazardous content
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Charlie විසින්
ART
21
0
0
0
8
0

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
Charlie විසින්
Middle Ages
12
0
0
0
4
0

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
Charlie විසින්
ART
26
0
0
0
6
0