සහයෝගීතාව
කලාව
රූපලාවණ්‍ය සහ සුවතාව
ශිල්පය
සංස්කෘතිය සහ ඉතිහාසය
විනෝදාස්වාදය
පරිසරය
ආහාර සහ පාන
ප්‍රතිලෝම ඉංජිනේරු
විද්‍යාවන්
ක්‍රීඩා
තාක්ෂණය
පැළඳිය හැකි
සැලසුම්විද්‍යාවන්

විද්‍යාවන්

සැලසුම් 2,499 ක් තිබේ • උපවර්ග 11

සැලසුම් (2,499)

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie විසින්DE

කලාව

85
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie විසින්DE

කලාව

174
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie විසින්DE

පෙරහන් කිරීම

92
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
අනතුරුදායක

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie විසින්DE

කලාව

81
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
අනතුරුදායක

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie විසින්DE

කලාව

84
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie විසින්DE

කලාව

90
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
අනතුරුදායක

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie විසින්DE

කලාව

107
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie විසින්DE

කලාව

79
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie විසින්DE

කලාව

67
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie විසින්DE

කලාව

83
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Charlie විසින්DE

සත්ත්වයා

182
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
අනතුරුදායක

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

Charlie විසින්DE

පුරාණ

139
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Charlie විසින්DE

මධ්‍යතන යුගය

159
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Charlie විසින්DE

පුරාණ

112
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Charlie විසින්DE

පුරාණ

117
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Charlie විසින්DE

නූතන

116
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
අනතුරුදායක

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

Charlie විසින්DE

මධ්‍යතන යුගය

71
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Charlie විසින්DE

මධ්‍යතන යුගය

94
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Charlie විසින්DE

පුරාණ

78
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Charlie විසින්DE

පුරාණ

71
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Charlie විසින්DE

ප්‍රාග් ඓතිහාසික

108
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Charlie විසින්DE

පුරාණ

64
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Charlie විසින්DE

පුරාණ

113
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Charlie විසින්DE

ප්‍රාග් ඓතිහාසික

210
0
0
0
6
0
2499 කින් 24 ක් පෙන්වයි