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BlueprintsCIENCIAS
CIENCIAS
529 blueprints disponibles • 11 subcategorías
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Blueprints (529)
Peligroso
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
por Charlie
ARTE
46
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
por Charlie
ARTE
31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
por Charlie
ARTE
21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
por Charlie
ARTE
29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
por Charlie
Animal
50
0
0
0
3
0
Peligroso
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
por Charlie
Antiguo
44
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
por Charlie
Edad Media
68
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
por Charlie
Antiguo
41
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
por Charlie
Antiguo
41
0
0
0
9
0
Peligroso
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
por Charlie
Moderno
42
0
0
0
7
0
Peligroso
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
por Charlie
Edad Media
22
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
por Charlie
Edad Media
25
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
por Charlie
Antiguo
22
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
por Charlie
Antiguo
16
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
por Charlie
Prehistórico
40
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
por Charlie
Antiguo
28
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
por Charlie
Antiguo
33
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
por Charlie
Prehistórico
68
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
por Charlie
Prehistórico
51
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
por Charlie
Edad Media
37
0
0
0
6
0