SENI
KECANTIKAN & KESEJAHTERAAN
KRAFTANGAN
BUDAYA & SEJARAH
HIBURAN
ALAM SEKITAR
MAKANAN & MINUMAN
KEJURUTERAAN TERBALIK
SAINS
SUKAN
TEKNOLOGI
BOLEH PAKAI
Lukisan
39 blueprint tersedia
Blueprint (39)
Glue Gesso: Rabbit-Skin Glue and Chalk for Painting Panels
oleh Charlie
Lukisan
5
0
0
0
0
0
Berbahaya
Stretched Painting Canvas: Linen on a Stretcher, Glue-Sized and Primed with Lead White
oleh Mary
Lukisan
19
0
0
0
0
0
The Collapsible Tube: A Container That Is Always Full
oleh Charlie
Lukisan
27
0
0
0
0
0
Masking Tape: Crepe Paper and an Adhesive That Never Dries
oleh Mary
Bahan
34
0
0
0
0
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
oleh Charlie
SENI
56
0
0
0
2
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
oleh Charlie
SENI
57
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
oleh Charlie
SENI
73
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
oleh Charlie
SENI
63
0
0
0
1
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
oleh Charlie
SENI
54
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
oleh Charlie
SENI
72
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
oleh Charlie
SENI
83
0
0
0
2
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
oleh Charlie
SENI
170
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
oleh Charlie
SENI
78
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
oleh Charlie
SENI
148
0
0
0
2
0
Berbahaya
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
oleh Charlie
SENI
68
0
0
0
2
0
Berbahaya
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
oleh Charlie
SENI
80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
oleh Charlie
SENI
76
0
0
0
4
0
Berbahaya
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
oleh Charlie
SENI
93
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
oleh Charlie
SENI
64
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
oleh Charlie
SENI
56
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
oleh Charlie
SENI
66
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
oleh Charlie
Haiwan
153
0
0
0
3
0
Berbahaya
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
oleh Charlie
Purba
119
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
oleh Charlie
Zaman Pertengahan
138
0
0
0
4
0
Memaparkan 24 daripada 39